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Thursday, September 16, 2004

Being Cool or being over-smart

Collateral (by Michael Mann): Rating either 10/10 or simply 3/10

Ok I admit I am a big fan of Tom Cruise. Despite the negative image of him, I believe he works hard in all his roles no matter how good or bad the movie is; the hard work could be in terms of acting or doing stunt work like in the terrible MI2. Collateral is a movie loved and praised by virtually every single critic out there. In fact, the actors and director also know this is a great movie. Which would explain why in every scene the actors are trying so hard to be smart, to be intelligent, to say the right things, to have the exact expression on their face -- they know they look good and the movie will be lapped by everyone.

Funny, now I see why all the critics hated Vanilla Sky -- they thought Cruise and Crowe were being cocky in making the movie. But the truth is that Vanilla Sky actually had a genuine purpose to it's story. Collateral on the other hand is an exercise in over-brilliance, and over-smartness. That being said, the movie is indeed shot brilliantly by Dion Beebe and Paul Cameron. But that is a trademark for Michael Mann movies -- his blue and green filters gave his movies like Heat, The Insider and Ali a very cool feeling.
The story for Collateral is simple enough -- Jamie Foxx plays a cab driver who ends up getting the assassin from hell, Tom Cruise, as a passenger. Cruise wants to hire Foxx for the entire night, and go from killing to killing without Foxx finding out. But things don't go as planned. The movie then develops into a cat and mouse game between the actors. For the coolness factor, some reference to Jazz is thrown in (you have to have a Miles Davis story, ofcourse), some philosophy is added to the mix, some magic realism symbols are portrayed (in a scene amid the chaos, a pair of foxes cross the cab's path; a symbol portraying that Jamie Foxx will outfox the killer, or that savage animals are roaming freely, pointing towards the killer Cruise, etc).
But just like Kill Bill, both movies I think fall under the weight of their over-smartness.Funny thing is a year ago I would not have noted such a thing and would have praised the movie to the hilt. But seeing a lot of foreign movies and the genuine story telling elements out there, this movie seems pointless. Sure it is excellent by the cineplex standards, but I got bored in the end. Mark Ruffalo has an interesting part and one dramatic scene involving him is very un-hollywood like. Javier Bardem is brought in to narrate a pointless story (equally as bad as David Carradine's SuperMan story in Kill Bill).

Final verdict: who am I to judge this movie? This movie knows it is so good that I don't have anything to say. Whoever critizes this movie will be labelled as having no taste!

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