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Saturday, December 31, 2005

End of the year for those song and dance movies

It was yet another dismal year regarding Bollywood movies. The quality seems to be getting worse and worse. The one thing which stood out most was that more and more directors are freely copying Hollywood (old and new) movies. And starting in 2006, directors will not only remake old Bollywood movies, they will copy Korean and Hong Kong movies as well. 2005 was another year when Amitabh Bachchan made appearances in no less than 10 movies. It seems without him the movie industry does struggle. When he finally leaves the movies, alas, there won't be anyone to truly replace him. It was refreshing to see Nana Patekar make a comeback in a few movies with some sizzling roles. Kay Kay Menon was a welcome addition to the film industry as well. So here's a quick recap of the last batch of movies seen this year, starting from the worst:

1) Shaadi #1 (zero direction given by David Dhawan): Rating 0/10


This really was a terrible movie. Pathetic acting, no direction, crap script and with the exception of one song (Aayeshi), the music and songs were awful.


2) Mr. Ya Ms. (confused direction by Antara Mali and Sachin Puranik): Rating 1/10


Argh! A completely unwatchable copy of the 1991 Ellen Barkin movie Switch . The stupid background music & sounds get very annoying and over the top after the first few minutes. Antara Mali does a valiant effort to copy Barkin's performance but this one comes off as a very poor B grade movie. Could have been much better but everything just seems substandard.


3) Ek Khiladi Ek Haseena (written and mis-directed by Suparn Verma): Rating 3/10


Confidence was not the best Hollywood movie. And a copy of that can't be expected to make waves. This movie could still have been saved with better acting and a half decent script. Ofcourse, it would help if the director told his actors to do more rather than stand around and drink + smoke while saying their lines.


4) Main, Meri Patni Aur Woh (directed by Chandan Arora): Rating 6/10


Despite the poor rating, this one is much better than the average fare. Ofcourse, the reason this movie is worthwhile is because of Rajpal Yadav's acting. He is the thread that holds this movie packed with substandard acting. The pacing is really bad as the movie stalls and refuses to ever get moving.


5) Garam Masala (directed by Priyadarshan): Rating 6.5/10


What saves this movie is Akshay Kumar and Paresh Rawal's acting. Otherwise, the movie suffers from over-acting by John Abraham and no acting from the newcomer actresses. If the first 30 minutes were clipped off, this movie would have been a wicked case study in males (as lab rats). Why is the main male bringing on agony upon himself by being engaged to 4 women? The other men observe him and start to lie accordingly. If another male was brought in the apartment, he too would have started lying. Oh Asrani and Rajpal Yadav are good too.


6) Home Delivery (directed by Sujoy Ghosh): Rating 7/10


For all its problems, this movie is a breath of fresh air. It is different and atleast tries to have something to say. There are some needless subplots and the pacing is quite tiresome in the second half but it was much better than the rest of the crap out there. The imagery of Vivek Oberoi's character stuck in a glass box perfectly conveys the male sentiment when it comes to marriages and family commitments.


7) Bluffmaster (directed by Rohan Sippy): Rating 8/10


Compared to the rest of the Bollywood crap, this one shines like a diamond. Ofcourse, it is copied from The Sting and has shades of The Game in its ending. Excellent acting by Nane Patekar, a wicked soundtrack and some snappy dialogues make this an enjoyable watch. And for a change, an entire Bollywood movie shot in Mumbai! Mumbai looks gorgeous and so does Priyanka Chopra. Better use could have been made of Boman Irani..

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