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Showing posts with label Irrfan Khan. Show all posts
Showing posts with label Irrfan Khan. Show all posts

Thursday, April 30, 2020

In Memory

Amid all the tragic news of recent months, Wednesday resulted in two devastating news items: the passing of Irrfan Khan and Rishi Kapoor.

On Wednesday, April 29th, news broke that the remarkable actor Irrfan Khan had passed away. It was a shock to the system. Irrfan was a rare Indian actor whose talents were well known globally and that became evident from the touching tributes that have poured in from all corners of the world, from film fans to critics, movie directors to film festivals. Different people found his work at various times. Global film festival audience first took notice of him in Asif Kapadia’s THE WARRIOR which had a long run on the film festival circuit. The 2001 film actually played at CIFF in 2005. American audience may have first noticed him in Mira Nair’s THE NAMESAKE (2006). If people had still missed seeing any of his films during the 2000s, then surely Ritesh Batra’s lovely THE LUNCHBOX (2013) ensured that they finally caught up with him.

I can’t recall which movie of his first caught my eye but I was impressed by his presence in Tigmanshu Dhulia’s HAASIL (2003). However, Khan’s acting in Vishal Bhardwaj’s MAQBOOL, a brilliant take on Macbeth, truly floored me. It was a rare film that I immediately rewatched, mesmerized by Irrfan and the remaining cast’s breath-taking performance. After that, it didn’t matter which film Irrfan Khan starred in, I watched it. And I was never disappointed. Irrfan’s charm and grace elevated every film he was in and even if his role was just a few minutes, he made those minutes count. That is why many directors wanted to cast him. Wes Anderson wanted to work with him so he specifically wrote a small role for Irrfan Khan in THE DARJEELING LIMITED. Khan also said no to many directors due to filming conflicts in trying to balance both Indian cinema and Hollywood films. As noted by his biographer Aseem Chhabra, Khan said no to Christopher Nolan’s INTERSTELLER (2014) because he was filming THE LUNCHBOX at the same time. He also had to turn down Ridley Scott’s THE MARTIAN because of his work in the brilliant PIKU.

I hadn’t completely shaken off this tragic news when later on Wednesday, I learnt that Rishi Kapoor had also passed away. Another major blow. Like many in my generation, I grew up watching Rishi Kapoor movies. His father Raj Kapoor’s BOBBY ensured that Rishi Kapoor became an instant household name in Indian cinema. There was an instant likability to Rishi and he brought an amazing sense of comedic timing and wit to his roles. Often, he played a perfect foil to a bigger star and his charming honest performance lingered long in memory. As he aged, somehow Rishi Kapoor found a new gear to his acting and his later roles resulted in some spectacular performances. His performance in Habib Faisal’s DO DOONI CHAAR (2010) is hands down one of the best performances I have seen by an actor in any Indian film.

The cinematic void left by both Irrfan Khan and Rishi Kapoor will not be filled.

Saturday, December 29, 2012

Best Performances & Cinematography of 2012

There have been many worthy films in 2012 but also many more fine performances and great visuals. So I created a separate entry just to highlight actors & cinematographers prior to publishing a best of 2012 film list.

Lead performances (both male & female) 

Denis Lavant in Holy Motors


Denis Lavant is the perfect vehicle for allowing Leos Carax to explore various film genres in a unique and mesmerizing manner. Easily the best performance of 2012.

Joaquin Phoenix, Amy Adams and Philip Seymour Hoffman in The Master

Joaquin Phoenix and Philip Seymour Hoffman are an ideal one-two punch that power Paul Thomas Anderson’s devastating film. However, Amy Adams holds the Master’s power (literally) in her hand and in a quiet manner manages to shine through.

Emmanuelle Riva and Jean-Louis Trintignant in Amour

Riva and Trintignant put in gut-wrenching and emotional performances as their characters deteriorate in a confined space.

Daniel Day-Lewis in Lincoln

Safe to say Daniel Day-Lewis IS Lincoln, not an actor playing the part. But then again, one expects nothing less from Daniel Day-Lewis who completely takes on the persona of every character he plays. It is still shocking to think that he had once retired from acting altogether. 

Christoph Waltz in Django Unchained

Waltz is given plenty of juicy dialogues to flesh out his memorable character.

Manoj Bajpai in Gangs of Wasseypur


Manoj Bajpai has performed many worthy roles in his career but he is still best known for portraying the wild Bhiku Mhatre in Satya more than a decade ago. That is why it is refreshing to see him tap into the same energy in Gangs of Wasseypur. The film also highlights that in the hand of the right director, Bajpai is one of the best actors working in the Indian film industry.

Irrfan Khan in Paan Singh Tomar

It is hard to imagine anyone else acting the title role in Paan Singh Tomar other than Irrfan Khan. His relaxed style ensures that his character does not deviate too much in tone when he is happy, angry, sarcastic or just plain innocent.

Nina Hoss in Barbara

Nina Hoss puts in a pitch perfect performance by playing a character required to control her emotions in every instance.

Matthew McConaughey in Killer Joe

McConaughey plays slimy variations of a similar character in Killer Joe, Bernie & Magic Mike. But he is truly on the top of his game in Killer Joe where he plays a corrupt cop who oozes evil while delivering precise dialogues.

Aniello Arena in Reality


It is heartbreaking to watch Arena’s character throw his life away in Reality but he has put in performance that has shades of a young Robert De Niro from Scorsese’s The King of Comedy.

Michelle Williams in Take This Waltz

Michelle Williams nicely slips into a character who is easily bored of men and things very quickly. As a result, her character will never be happy in life & Williams’ expressions convey this impending sadness behind every smile.

Matthias Schoenaerts in Rust and Bone, Bullhead
Marion Cotillard in Rust and Bone


Matthias Schoenaerts plays a different shade of a tough character in Bullhead & Rust and Bone. In Bullhead, Schoenaerts is a physical force of nature but one who has trouble finding love because of a past which has scarred him for life. His character is still physically imposing in Rust and Bone but he has no trouble getting love and can pick up a woman at the drop of a hat. The Dardennes' style used by Jacques Audiard ensures that Schoenaerts and Cotillard’s characters are properly showcased thereby finding beauty in moments of brutality & pain. Also, the visual style is definite proof that Marion Cotillard is gorgeous without any make-up.

Rodrigo Santoro in Heleno

Santoro plays a footballer prone to self-destruction. Just like Reality, it is painful to watch someone throw their live away but Santoro shines in every moment of joy, misery and anger.

Vidya Balan in Kahaani

For the last few years, Balan has outperformed her male co-stars so it was appropriate that she finally got a film where she was the main lead. And she nicely carries Kahaani on her shoulders.

Best Supporting Actor (Male & Female)


Rishi Kapoor in Agneepath

Rishi Kapoor’s ruthless portrayal of Rauf Lala comes as a real surprize given the warm loving characters that Kapoor has played in the past. Yet, Rishi Kapoor is able to extract enough charm from his past characters and transform it into the sinister Rauf Lala who appears to be trustworthy when needed and is ruthless when he wants to eliminate his enemies.

Tigmanshu Dhulia in Gangs of Wasseypur

It was a real surprize when Anurag Kashyap gave director Tigmanshu Dhulia an acting role but the move has paid off incredibly. If one has to see what is wrong with India and its politicians, then one need not look further than Dhulia’s corrupt and manipulative character of Ramadhir Singh.

Gina Gershon in Killer Joe

Gershon puts in a raw performance for a character forced to take the blows, both emotional and physical.

Leonardo DiCaprio in Django Unchained

DiCaprio’s smooth yet wickedly evil plantation owner is a masterful performance.

Brad Pitt in Killing Them Softly

The only thing negative about Brad Pitt’s character of Jackie is that he is not given enough screen time.

Carlen Altman in The Color Wheel

Altman’s character of JR delivers a non-stop flurry of dialogues from the get go and is a delight to watch.

Nawazuddin Siddiqui in Gangs of Wasseypur

Nawazuddin Siddiqui had quite a year by starring in many big named films such as Paan Singh Tomar, Kahaani and Talaash. But he gets the meatiest role in Gangs of Wasseypur and he excels in playing a drug addicted gangster thrust into seeking revenge for his family.

Best Cinematography

Gökhan Tiryaki, Once Upon a Time in Anatolia
Caroline Champetier, Holy Motors
Mihai Malaimare Jr., The Master
Rui Poças, Tabu
Julián Apezteguia, Gone Fishing
Amol Gole, The Bright Day
Ben Richardson, Beasts of the Southern Wild
Roger Deakins, Skyfall
Stéphane Fontaine in Rust and Bone
Lucio Bonelli, Found Memories
Claudio Miranda, Life of Pi