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Showing posts with label Mumbai. Show all posts
Showing posts with label Mumbai. Show all posts

Wednesday, February 16, 2011

Dhobi Ghat / Mumbai Diaries

Dhobi Ghat (Mumbai Diaries) (2010, India, Kiran Rao)

Often Indian films set in Mumbai start off with a voice-over narration which explains both the endless possibilities Mumbai offers to newcomers and also the perils of living in such a fast moving city. Mumbai demands such an introduction in a film for it is not a passive city but instead a very strong character in itself. Mumbai can be a friend that helps a film's character realize their dream or it can be the villain that leads to a character's downfall. Yet, most Indian films ignore Mumbai after the obligatory introduction. These films then iterate through a succession of quick cuts which rush through the city's famous landmarks while focussing on the character's plights. However, the city cannot be ignored because it influences the character's moods. The traffic, the seemingly endless days of rain all have an effect on a character's feelings yet often such moods do not make it onto the screen. Instead, we are shown characters that talk and behave as if their city has no bearing on their day to day routines.

In that regard, it is a joy to discover that Kiran Rao's debut feature Dhobi Ghat is able to capture some of the emotional resonance that Mumbai inspires. The film uses four characters to depict some of the struggles and joys that can take place in a vibrant and buzzing city like Mumbai. While there is only one native Mumbaiite in the quartet, all the characters observe the city through a unique perspective. Shai (Monica Dogra) is enchanted by the city and wants to capture its reality and beauty via her photography. Yasmin (Kriti Malhotra) keeps a video journal of her day to day experiences while Arun (Aamir Khan) paints whatever Mumbai inspires in him. Munna (Prateik) experiences the city via two different jobs that enable him to see the city in both daytime and nighttime. Munna is the only character out of the four that experiences the city without any filters. Both his jobs require him to get his hands dirty so to speak, first by cleaning clothes by day in the Ghats and then by lurking in the shadows to rid the city of germ carrying rats by night.

There is a purpose for each character's existence as each character is etched out to form a realistic representation of people that live in Mumbai. Arun is a native of the city and is not bothered by the city's day to day hassles. He is also a loner and keeps his distance from others, easily isolating himself in his apartment while the city races around him. Munna has arrived in Mumbai to chase his dream of becoming an actor like thousands of others. He does not mind doing filthy jobs because the jobs are just a stepping stone to his dreams of becoming a Bollywood star. In between jobs, he finds time to work-out and get in shape because a modern day Bollywood hero is required to have a six-pack. Yasmin is a new migrant to the city via marriage and is both enchanted and puzzled by Mumbai while Shai is a foreign national with Indian heritage who is on a sabbatical in the city. It is never really spelled out but Shai's trip to Mumbai could both be an escape from her American life and a chance to discover her Indian roots.

In a sense these four characters represent four walls of a room and not surprisingly their lives are connected via a series of coincidences and incidents which occur in and around various Mumbai flats. The presence of such coincidences and chance encounters in a vast city like Mumbai may not seem realistic but the characters move around in a closed-off circle thereby increasing their odds of seeing each other often. Of course, the encounters are a springboard for exploring the emotional state of the characters. As a result, the script shrinks the vast and chaotic city down to the microscopic level of these four characters so that they can be observed in tight quarters. Each character has their own set of complex problems and Kiran Rao lets the actors brilliant expressions and body language form a guide to their inner feelings. Throughout the film, the four actors appear to be living out their parts as opposed to acting out scripted lines.

In terms of acting, one expects nothing less than perfection from Aamir Khan and he does not disappoint. However, his character does not grab the camera's full attention thereby allowing Monica Dogra, Prateik and Kriti to truly shine in their roles. Prateik makes an impressive debut and that was illustrated by the positive response he got during the film's premier at TIFF last year. However, the most memorable performances in the film come courtesy of the two female characters. Monica Dogra is magnificent in every frame and delivers every line of dialogue with utmost perfection while Kriti Malhotra steals the show with a soulful performance that conveys the innocence, excitement and tragedy of her character in a realistic manner. Kriti's character has the least screen time of all four principal actors but she makes each second count. Her character's voice, which is heard more than we see her on screen, forms a narrative guide to the city and ends up being the soul of the film. It is via Yasmin's camera that we get to see some of the famous Mumbai landmarks one expects on cinema such as Gateway of India, Elephanta Caves, Marine drive. It is also her character that talks about the endless rain that seems to take over Mumbai every year. Her character provides inspiration for Arun to see Mumbai with fresh and innocent eyes.

Overall, Dhobi Ghat is a beautiful and poetic tribute to the complex city that is Mumbai. In reality, a first time visitor cannot leave Mumbai with a neutral view. Either the visitor will be repelled by the city's extremes or fall in love with the city’s charms. What Dhobi Ghat does is present the city in a humble manner without focusing on either the beauty or ugliness too much. Kiran Rao focuses on characters whose lives are shaped by Mumbai thereby allowing us to experience some of the joys and struggles that Mumbai offers to these people.

Sunday, October 19, 2008

Mumbai

The title of Nishikant Kamat's Mumbai Meri Jaan comes from this amazing melodious song sung by Mohammed Rafi & Geeta Dutt:

Aye dil hai mushkil jeena yahan
Zara hat ke zara bach ke, yeh hai Bombay meri jaan



While the song is cheery and uplifting, the film deals with a topic that is anything but happy. Mumbai Meri Jaan shows how the lives of a few characters is affected by the Mumbai train bomb blasts of 2006. To Nishikant's & writer Yogesh Vinayak Joshi's credit, they have crafted a film with such grace and beauty that there is no room for melodrama and no speech about why the terrorists continue to kill innocent people. Instead, we are given ordinary every day characters and observe how a drastic event shakes things up for them. The film ends with a moment's silence for the victims and while we watch the characters observe the silence, the Rafi song comes on, and the screen fades to black as the words "yeh hai Bombay meri jaan.." echo in the background, a perfect way to end the film.

In a way, Mumbai Meri Jaan is a testament to the human spirit of Mumbai, one of the most vibrant cities in the world. Unfortunately, it is also a city that suffers a lot as it constantly has to bear the brunt of terrorists who continue to kill innocents for a cause that even they could not name. After each attack, the citizens are expected to return to their life and forget the violence. But if a citizen is angered, what can he/she do?

Neeraj Pandey's debut film A Wednesday answers that question by portraying a situation where an ordinary citizen, "a common man", decides to take matters in his own hands and get revenge for the constant violence that rocks his city. The film depicts how a mysterious man has the Mumbai police on the run to stop further possible bomb explosions in the city. I would hate to give anything away as I watched the film without knowing the story and enjoyed how things unfolded, although I did guess on where things were going.

Both Mumbai Meri Jaan and A Wednesday are a rare commodity in Bollywood in depicting the police as hard working and sincere human beings. That is a refreshing thing to see plus both films contain excellent performances from some of the best actors in the industry such as Paresh Rawal, Kay Kay Menon, Irfan Khan (Mumbai Meri Jaan) and Naseeruddin Shah, Anupam Kher (A Wednesday).

Ratings out of 10:
Mumbai Meri Jaan: 9
A Wedneday: 8.5