tag:blogger.com,1999:blog-6942068.post3909127373711038785..comments2023-10-24T07:02:34.809-07:00Comments on Scribbles and Ramblings: Terrence Malick SpotlightSachinhttp://www.blogger.com/profile/13227932224402555942noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-6942068.post-16734349040455301152011-09-18T18:39:03.237-07:002011-09-18T18:39:03.237-07:00Thanks so much Sam. Your words flatter me :)
your...Thanks so much Sam. Your words flatter me :)<br /><br />your remarkable study of THE TREE OF LIFE was much longer so what I have here does feel like scratching the surface. Plus I left out many things such as his use of music in the last 3 films and philosophical questions.Sachinhttps://www.blogger.com/profile/13227932224402555942noreply@blogger.comtag:blogger.com,1999:blog-6942068.post-38278374462547919562011-09-18T13:08:04.589-07:002011-09-18T13:08:04.589-07:00Wow Sachin. You say that you only wanted to jot d...Wow Sachin. You say that you only wanted to jot down some notes, but you have offered up a fascinating sketch here of teh connected themes, techniques and camera negotiation in this engaging look at Malick's career. I agree that BADLANDS is the only one of the fine with comparatively static camera movements. I love too your geographical progression across America that includes a passage back in time. By using Malick's works as a reference point you've made some most telling illuminations on his career arc and a hint of what's to come.Sam Julianonoreply@blogger.com