tag:blogger.com,1999:blog-6942068.post6409104684950696023..comments2023-10-24T07:02:34.809-07:00Comments on Scribbles and Ramblings: Invisible cinemaSachinhttp://www.blogger.com/profile/13227932224402555942noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-6942068.post-48886672217629737422011-02-13T19:05:58.247-07:002011-02-13T19:05:58.247-07:00I have been waiting to see Poetry for a while now....I have been waiting to see <i>Poetry</i> for a while now. I was quite impressed by the director's previous effort <i>Secret Sunshine</i> which leaves plenty of food for thought.<br /><br />Oh in a few weeks I will be able to see <i>Lourdes</i>.Sachinhttps://www.blogger.com/profile/13227932224402555942noreply@blogger.comtag:blogger.com,1999:blog-6942068.post-12475588090233687762011-02-13T11:30:56.086-07:002011-02-13T11:30:56.086-07:00Why should “Of Gods and Men” have been France’s on...Why should “Of Gods and Men” have been France’s only shot? And what determines the nationality of a film in any case?"<br /><br />Indeed Sachin. This is a vital point. This past year was a banner one for French cinema. Lourdes, Carlos, Un Prophete, Mademoiselle Chambon, White Material as well as Of Gods and Men (which I believe will be opening next week as per a poster display at the Lincoln Plaza Cinemas where last night I saw a Korean film called POETRY--which may well be the greatest Korean film I have seen in my life!!!) are proof parcel that limiting the choice to only one is foolhardy.Sam Julianonoreply@blogger.com