This is a follow-up post to last year’s Spotlight on the films of Bong Joon-Ho.
Mickey 17, based on Edward Ashton’s book Mickey
7, has themes related to a few of Bong’s previous films such as Snowpiercer,
The Host and Okja: sci-fi setting and humanity on
verge of extinction (Snowpiercer), connection with an animal (Okja),
killing an alien creature with chemical gas (The Host). The
perception around the creature changes as the film progresses in a similar
manner to that shown in The Host. At first, the alien creature is
terrifying but the film changes that perception when it highlights the cruel
violent nature of humans. In this aspect, the monstrous nature of humans is
similar to that depicted in Okja. Interestingly, Bong first depicted
scenes of humans cruelty towards animals in his first feature Barking
Dogs Never Bite.
Mickey 17 also pokes at class differences akin
Parasite but those differences are presented as a matter-of-fact
and the film doesn’t linger on those differences. Amusingly, the sophisticated
rich elites are shown to be morons while the perceived moron Mickey (Robert Pattinson)
turns out to be pretty adept at navigating the alien world. The dark humour one
associates with a Bong Joon Ho film is found in spades and Mickey 17
also manages to sneak in a very on-the nose Trump reference. Kenneth Marshall (Mark
Ruffalo) is shown to be a failed politician who lost two elections (unlike our
real world) but he has a cult like appeal over his fans, some of whom are seen
wearing a red cap in the audience. In addition, Marshall’s speeches and his
overall demeanour is akin to Trump. Marshall’s persona is in fitting with his over-the-top
cartoonish wife Ylfa (Toni Collette) whose character appears to a distant
cousin to Tilda Swinton’s characters from Snowpiercer and Okja.
Parasite was always going to be a tough act to
follow and in that sense, Mickey 17 is a step down from the
heights of Parasite. The film has some impactful moments but the tone is uneven and certain segments don't add up to a coherent whole. While Mickey 17 fits in with the overall cinematic
body of work of Bong Joon-ho, the film’s shortcomings are also a reminder that
Parasite is the perfect illustration of Bong Joon-ho's style.
Updated ranking of Bong Joon-ho’s features and shorts:
This film still holds on as the best Bong Joon-ho film.
2. Parasite (2019)
A very close second. The most perfect distillation of Bong’s
style.
3. The Host (2006)