Friendship & Human nature in Arriaga's world

The Films:

Like most people, I first heard of Guillermo Arriaga after the film Amores Perros came out in 2001. Even though most of my memories about the film are around the powerful images of the angry dogs, the horrific car crash and the breakdown of the beautiful model, I admired the well written story by Arriaga. Normally, when a film does well the director gets all the credit. But every so often, a film's story and screenplay leave such a resonating mark that the film's writer also ends up getting attention. And that is the case with Arriaga who has shared the limelight with his collaborations with director Alejandro González Iñárritu. Their partnership has become legendary as the two went onto more acclaim with 21 Grams and Babel. Which is why it is unfortunate to hear that the two will not be working together again and Babel was their last collaboration.

After the strong images of Amores Perros, my memories about the duo's next film 21 Grams centered on the story itself. I do remember the intimate motel scenes quite a bit but I remember the characters misery more. Also, the film's title referring to the apparent weight of the human soul was also something that stayed with me. For me, Babel was the weakest film out of the three works. Although there was plenty to enjoy in the film, the film didn't feel as smooth as the previous two works.

But Arriaga also worked on other films besides the three with Iñárritu. 2005's The Three Burials of Melquiades Estrada was one such movie where Arriaga's script was directed by Tommy Lee Jones. I only recently saw this movie and absolutely feel in love with the tender story of friendship and dreams. The friendship shown in the movie is about principles and honor while the characters attempt to dream of a better life (especially Melquiades) to help cope with their daily struggles. Tommy Lee Jones has perfectly captured all the sensibilities that Arriaga's story was meant to convey and directs a balanced film. I could not help think about No Country for Old Men while watching The Three Burials... The stories of both films are quite different but the presence of Tommy Lee Jones and the fact that both movies filmed were filmed in Texas with a touch of Mexican elements made me think of No Country... It would be unfair to compare the two movies but if I had to, I much prefer the compassionate poetry of The Three Burials.. over the precise polished coldness of the Coen Brothers work.

The Novel:

In late 2005, while browsing through a bookstore in London, I came across a book by Arriaga: The Sweet Smell of Death. At that point, I had no idea that Arriaga wrote novels. The book's cover confirmed that the novel was indeed by the screenwriter of Amores Perros and 21 Grams. I bought the book immediately because my past experience in traveling through London has shown that plenty of books available in England were not to be found in North America. This was confirmed after I returned home where none of the three books by Arriaga were available in North America yet in late 2005.

Even though The Sweet Smell of Death is a quick read at 160 pages, it is a well written story that stays long after one has finished it. The core of the novel is around a murder that takes place in a small Mexican town. The novel does not attempt to solve the murder but instead shows how this one action polarizes events in the town. Different people deal with death in their own manner. Some are introspective and attempt to understand the meaning of a murder while others thirst for blood. The book shows events regarding the latter and depicts how people's quest for revenge blinds out reason and logic. And given how in this day and age where revenge is the driving force between international politics, the book's simple story struck a powerful chord.

I recently finished reading another of Arriaga's novels -- The Night Buffalo. The book is slightly longer than The Sweet Smell of Death at 228 pages and deals with death in a different manner. While The Sweet Smell.. showed the outward reactions that occurred after a murder took place, The Night Buffalo is more concerned with the inward behaviour of its character. And it is this flawed inward behavior by an individual that triggers the internal breakdown in other people around him, further resulting in a chain of external reactions. While the books deals with suicide and its after effects, it is also concerned with the values of friendship and human relationships. Even though The Night Buffalo is a quick read, it leaves plenty think about. While reading the novel, I could not help think of William Friedkin's powerful film Bug which also took place mostly in a motel like The Night Buffalo and also shares a thread dealing with paranoia. Plus The Night Buffalo invites the reader to understand the main character on their own terms. The novel's narrator Manuel leads us through the story in a matter of fact manner but we can't agree with all his decisions and actions. So while following Manuel commit strange acts, we can't help think that we are being taken for a ride or maybe there is something wrong with Manuel, something that he is not even aware of himself.

If one had to try to examine a common theme in Arriaga's works, friendship would be something that stands out along with his attempts to understand the complex human psyche. His two novels are rich works that are rendered in a simple easy to follow manner that make it accessible to everyone.

The Interview:

I knew of The Night Buffalo before I came across this excellent and insightful interview with Arriaga at the Evening Post. The interview between Michael Guillen and Arriaga is so alive and buzzing with such energy that I was inspired to read my second Arriaga novel. In the end, I am glad I read The Night Buffalo, a work that I have not been able to stop thinking about long after I finished reading it.

Also, Michael's interview does a great job in looking beyond the theme of the novel and is able to capture the essence behind Arriaga's works.

Babel and a Spanish Double

Babel: Rating 8/10
Director -- Alejandro González Iñárritu. Writer -- Guillermo Arriaga

Back in the summer of 2006, I really looked forward to this film. Having loved Amores Perros and 21 Grams, I had huge hopes for this movie. But after seeing the trailers, I had my doubts and stayed away from this film until this week. Now, only one theatre in the city is showing this movie and attendance has increased again thanks to the best picture award it got this week. But a lot of the people attending Thu night’s show (Jan 18) had no idea what to expect and safe to say, they were disappointed. There were even a few walk-outs.

This is a film that does not deserve to be seen in a multiplex because it demands complete silence. In a regular loud multiplex film, slight noises from the audience are dwarfed by the loud on screen volume. But Babel is not a loud film – it contains long periods of silence and very little dialogue. The visuals tell more of a story with subtitles conveying the rest of the story. With such periods of silences, every slight noise in the theatre can be heard – the chewing of the popcorn, an audience member dropping his pop on the floor, water running down the pipes in the adjoining bathroom, shuffling of feet. But even if I saw this film in complete silence, I still would have been disappointed. Here are some mental notes that flew threw my mind during this film:

-- Only the American couple in the film gets a happy American ending (something mentioned by the Japanese newscaster in the movie). The rest of the world is miserable and continues to suffer. In fact, other people have to suffer so that the Americans can prosper. Ofcourse, one could argue that the ending for the Japanese father-daughter finally has hope, but that is debatable.
-- The usage of multiple languages (Arabic, Spanish, Japanese and English) in this film works great because actors talking in their native language lend more authenticity.
-- My understanding was that the movie was supposed to show how the language barriers in the world led to confusion and caused problems (tower of babel). However, despite the multiple languages spoken in the movie, there are no language barriers in the characters way and I don’t think the film’s title is appropriate to the story.
-- The three stories are forcibly linked or appear to be. Amores Perros and 21 Grams felt more authentic. Can we now expect more of these Crash formula films in the future?
-- Great camera shots, especially the last shot of the Japanese girl and father. As they are hugging on their balcony, the camera moves away backwards and we slowly see the other buildings come into focus. Normally in other movies, the camera narrows into a single point as opposed to pulling away and displaying the wider background.
-- Guns kill people and guns in the hands of kids is a horrible formula. No matter what pro-gun people say. We only need to look at Central Africa for more examples.
-- As the world is more connected with cell phones and internet, fear and lies are easily propagated. In fact, media control in the hands of wrong people leads to incorrect news reports and conclusions. A single shooting in Morocco could have led to an American attack and eventual war. This is the present western attitude of shoot first, ask questions later.
-- One thing was interesting – in the end credits, we see the following:
“based on an original idea by Alejandro González Iñárritu and Guillermo Arriaga “
What is that supposed to mean? Are the two trying to ensure no one tries to accuse them of stealing this story idea from a real incident?

Overall, I was hugely disappointed with this movie. Half-way through the 140 min movie, I told myself if I saw a shot of the clouded blue sky, I would know the director is trying too hard and sure enough, there is such a shot near the end of the movie. But I can’t understand why people call this film complex. Seriously, it is pretty straight forward. Yes, long periods of silence in movies allow us to contemplate each scene and think things through. But none of the stories in Babelare rich enough to require much thought. In addition, if the media reports are true then this is the last collaboration between Alejandro and Guillermo. That would be a real shame because they have had a good run together. Babel is the weakest of their three joint feature film efforts but still their powerful first two films were enough to warrant them attention.

Jealousy (1999, Spain, Director Vicente Aranda): Rating 7.5/10

It turns out that I had seen this film a few years ago, but I forgot when I rented this. It is a good watch nonetheless. A month before his marriage, Antonio discovers a picture of his bikini clad fiancée (Carmen) with a stud among a group of her friends. His jealous nature takes over him and he needs to find out who the stud is. And Antonio’s curiosity is only increased when all the people around him lie about the stud in the picture, After a brief break up with Carmen, the two make up and eventually marry. But Antonio is still not satisfied and his relentless pursuit of the truth drives Carmen mad. She is forced to reveal all to Antonio and after that, both of them need to get the stud, José, out of their system.

The film contains two very good expressive performances from Aitana Sánchez-Gijón (Carmen) & Daniel Giménez Cacho (Antonio). In fact, Daniel’s stern face and glaring eyes steal the show. There is an interesting camera angle when Carmen decides to tell Antonio the truth. We see her in the background but in the foreground, we only see Antonio’s left eye. Even with such an angled look at his face, we can clearly understand what is going on through his mind. But the story does start to wear down near the end and I had lost all interest by the final frame.

Lisbon (1999, Spain/Argentina, Director Antonio Hernández): Rating 6/10

Despite the presence of Sergi López and Carmen Maura, I could not be interested in this film. López plays a video cassette salesman who travels between Spain and Portugal. One day he finds a mysterious woman (played by Maura) who insists on being taken to Lisbon at whatever cost. In trying to help her, he finds himself in between her crazy family and her pursuit of her lover. An ok film with average acting but a short story stretched too long.