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Showing posts with label Tigmanshu Dhulia. Show all posts
Showing posts with label Tigmanshu Dhulia. Show all posts

Saturday, December 28, 2013

Best Bollywood films: 2013

I cannot do a Best Indian films of 2013 list because not many Indian films got released in my city. The majority of titles that made it to cinemas were some of the bigger Bollywood and Punjabi films. One of the biggest disappointments of 2013 is that Ship of Theseus never got a Canadian release. The much praised film premiered at the Toronto International Film Festival in 2012 but never touched Canadian shores after that. The fate of Ship of Theseus puts things in perspective. If a film praised at TIFF cannot find proper distribution, then one fears for the fate of other Indian titles who fail to travel the film festival circuit. Thankfully, there were some worthy Bollywood Films made in 2013. Here are the top 3 Bollywood films seen in 2013:

1. Aurangzeb (Atul Sabharwal)

 

Atul Sabharwal’s film smartly fuses the family-political battles from Shyam Benegal’s Kalyug (1981) with the double character element found in Kagemusha and numerous 1970-80’s Indian films. The end result is a film that feels familiar yet is still unique given the contemporary setting in Gurgaon where real estate deals are ruthless.

2. Saheb Biwi Aur Gangster Returns (Tigmanshu Dhulia)



Tigmanshu Dhulia heightens the sexual and political elements aspects from the first Saheb Biwi Aur Gangster (2011) film thereby creating a riveting follow-up chapter to the story of a man holding onto his crumbling kingdom. In comparison to the first film, Mahie Gill’s Biwi (wife) character is far more bolder and gives an assured, seductive performance while the Gangster character has more substance because of Irrfan Khan’s addition. Jimmy Shergill continues to thrive in what may be his finest on-screen role to date.

3. Lootera (Vikramaditya Motwane)

 

At first, Lootera looks like another Bollywood love story but thankfully, the love story is a facade which gives way allowing a Bengali inspired technically rich film to emerge. The sound design in Lootera is mesmerizing and allows everyday sounds to filter through the frame when needed. As a bonus, this is a rare Bollywood film that does not show snow as romantic. The first half of the film is infused with color but when the second half shifts to a colder landscape, the color is drained from the frame creating a cold sensation anticipating death.

Other Mentions

Bombay Talkies has many memorable moments in all the four shorts but overall Dibakar Banerjee’s segment steals the show.

Pankaj Kapur is at his intoxicating best in Matru Ki Bijlee Ka Mandola.

Rishi Kapoor's stand-out performances in Aurangzeb and D-Day highlights that his impressive evil character role in Agneepath was not a one time acting decision. He is still doing romantic roles but it is impressive to see how he has reinvented himself.

The wicked ending of Raj Kumar Gupta's Ghanchakkar stays long in the memory, especially since nothing in the film prepares one to expect such a dark turn of events. The ending takes a path that 99.9% of Indian films would never take. For that reason alone, the film deserves a nod.

Bejoy Nambiar's David has a calm beauty to it although that beauty does not fully get transmitted until the final moments of the film.

Remo’s ABCD (Any Body Can Dance) features some of the best choreographed dances seen in an Indian movie. A lot of the moves are inspired from shows such as American’s Best Dance Crew and So You Think You Can Dance but the film manages to incorporate Indian dances beautifully in the mix. The casting of Lauren Gottlieb from So You Think You Can Dance highlights the worthy decision to cast trained dancers in the film.

Wednesday, January 30, 2013

Best Films of 2003

Another end of the year list put together from scribbled notes written a decade ago. A quick glance at my 2003 viewing notes confirmed that I once used to have much better options to view foreign films locally through the different arthouse cinemas and a selection of independent DVD stores. For example, I could always catch the newest Johnny To film a few months after its release unlike waiting 1-2 years now. Still despite a rich selection of films to choose from in 2003, I managed to miss many high profile releases which would have altered this end of the year list. Films such as Mystic River (likely to take #1 spot), The Barbarian Invasions, Distant (Nuri Bilge Ceylan), The Son (Dardenne brothers), Dogville, Kill Bill vol.1 and Oldboy would have featured prominently in this list.

Top 10 films of 2003

1. Lost in Translation (USA/Japan, Sofia Coppola)

2. And Now...Ladies and Gentlemen (2002, France/UK, Claude Lelouch)

Patricia Kaas’s soothing vocals coupled with the Moroccan visuals made this a very seductive cinematic experience. On top of that, And Now...Ladies and Gentlemen has one of the best film soundtracks solely due to Kaas’ jazzy notes.

3. Mr & Mrs. Iyer (2002, India, Aparna Sen)

Aparna Sen smartly uses a bus to highlight the cultural diversity of India and show how simple differences can constantly divide the nation or can sometimes bring people together. Konkana Sen Sharma, Aparna Sen’s daughter, steals the show with one of the most memorable acting performances seen in Indian cinema over the last decade.

4. Teen Deewarein (India, Nagesh Kukunoor)

Despite the prison setting and a murder case, Teen Deewarein has a peaceful flow and is packed with poetic words. At first, the three completely different characters appear to have nothing in common but a few clues tucked along the way create enough doubt and ensure that the ending does not appear as a complete surprize.

5. Adaptation (2002, USA, Spike Jonze)

6. 21 Grams (USA, Alejandro González Iñárritu)

7. Sympathy for Mr. Vengeance (2002, South Korea, Park Chan-wook)

8. Gangaajal (India, Prakash Jha)

A simmering film set in India’s political hotbed of Bihar against the background of corruption. After being constantly frustrated at seeing their hard-work go down the drain, the local police force take matters into their own hands and dish out their own holy justice.

9. Haasil (India, Tigmanshu Dhulia)

Tigmanshu Dhulia makes an impressive feature film debut with a thoughtful work that shows how the grassroots of political battles is lit early in the college years.

10. Saathiya (2002, India, Shaad Ali)

Saturday, December 29, 2012

Best Performances & Cinematography of 2012

There have been many worthy films in 2012 but also many more fine performances and great visuals. So I created a separate entry just to highlight actors & cinematographers prior to publishing a best of 2012 film list.

Lead performances (both male & female) 

Denis Lavant in Holy Motors


Denis Lavant is the perfect vehicle for allowing Leos Carax to explore various film genres in a unique and mesmerizing manner. Easily the best performance of 2012.

Joaquin Phoenix, Amy Adams and Philip Seymour Hoffman in The Master

Joaquin Phoenix and Philip Seymour Hoffman are an ideal one-two punch that power Paul Thomas Anderson’s devastating film. However, Amy Adams holds the Master’s power (literally) in her hand and in a quiet manner manages to shine through.

Emmanuelle Riva and Jean-Louis Trintignant in Amour

Riva and Trintignant put in gut-wrenching and emotional performances as their characters deteriorate in a confined space.

Daniel Day-Lewis in Lincoln

Safe to say Daniel Day-Lewis IS Lincoln, not an actor playing the part. But then again, one expects nothing less from Daniel Day-Lewis who completely takes on the persona of every character he plays. It is still shocking to think that he had once retired from acting altogether. 

Christoph Waltz in Django Unchained

Waltz is given plenty of juicy dialogues to flesh out his memorable character.

Manoj Bajpai in Gangs of Wasseypur


Manoj Bajpai has performed many worthy roles in his career but he is still best known for portraying the wild Bhiku Mhatre in Satya more than a decade ago. That is why it is refreshing to see him tap into the same energy in Gangs of Wasseypur. The film also highlights that in the hand of the right director, Bajpai is one of the best actors working in the Indian film industry.

Irrfan Khan in Paan Singh Tomar

It is hard to imagine anyone else acting the title role in Paan Singh Tomar other than Irrfan Khan. His relaxed style ensures that his character does not deviate too much in tone when he is happy, angry, sarcastic or just plain innocent.

Nina Hoss in Barbara

Nina Hoss puts in a pitch perfect performance by playing a character required to control her emotions in every instance.

Matthew McConaughey in Killer Joe

McConaughey plays slimy variations of a similar character in Killer Joe, Bernie & Magic Mike. But he is truly on the top of his game in Killer Joe where he plays a corrupt cop who oozes evil while delivering precise dialogues.

Aniello Arena in Reality


It is heartbreaking to watch Arena’s character throw his life away in Reality but he has put in performance that has shades of a young Robert De Niro from Scorsese’s The King of Comedy.

Michelle Williams in Take This Waltz

Michelle Williams nicely slips into a character who is easily bored of men and things very quickly. As a result, her character will never be happy in life & Williams’ expressions convey this impending sadness behind every smile.

Matthias Schoenaerts in Rust and Bone, Bullhead
Marion Cotillard in Rust and Bone


Matthias Schoenaerts plays a different shade of a tough character in Bullhead & Rust and Bone. In Bullhead, Schoenaerts is a physical force of nature but one who has trouble finding love because of a past which has scarred him for life. His character is still physically imposing in Rust and Bone but he has no trouble getting love and can pick up a woman at the drop of a hat. The Dardennes' style used by Jacques Audiard ensures that Schoenaerts and Cotillard’s characters are properly showcased thereby finding beauty in moments of brutality & pain. Also, the visual style is definite proof that Marion Cotillard is gorgeous without any make-up.

Rodrigo Santoro in Heleno

Santoro plays a footballer prone to self-destruction. Just like Reality, it is painful to watch someone throw their live away but Santoro shines in every moment of joy, misery and anger.

Vidya Balan in Kahaani

For the last few years, Balan has outperformed her male co-stars so it was appropriate that she finally got a film where she was the main lead. And she nicely carries Kahaani on her shoulders.

Best Supporting Actor (Male & Female)


Rishi Kapoor in Agneepath

Rishi Kapoor’s ruthless portrayal of Rauf Lala comes as a real surprize given the warm loving characters that Kapoor has played in the past. Yet, Rishi Kapoor is able to extract enough charm from his past characters and transform it into the sinister Rauf Lala who appears to be trustworthy when needed and is ruthless when he wants to eliminate his enemies.

Tigmanshu Dhulia in Gangs of Wasseypur

It was a real surprize when Anurag Kashyap gave director Tigmanshu Dhulia an acting role but the move has paid off incredibly. If one has to see what is wrong with India and its politicians, then one need not look further than Dhulia’s corrupt and manipulative character of Ramadhir Singh.

Gina Gershon in Killer Joe

Gershon puts in a raw performance for a character forced to take the blows, both emotional and physical.

Leonardo DiCaprio in Django Unchained

DiCaprio’s smooth yet wickedly evil plantation owner is a masterful performance.

Brad Pitt in Killing Them Softly

The only thing negative about Brad Pitt’s character of Jackie is that he is not given enough screen time.

Carlen Altman in The Color Wheel

Altman’s character of JR delivers a non-stop flurry of dialogues from the get go and is a delight to watch.

Nawazuddin Siddiqui in Gangs of Wasseypur

Nawazuddin Siddiqui had quite a year by starring in many big named films such as Paan Singh Tomar, Kahaani and Talaash. But he gets the meatiest role in Gangs of Wasseypur and he excels in playing a drug addicted gangster thrust into seeking revenge for his family.

Best Cinematography

Gökhan Tiryaki, Once Upon a Time in Anatolia
Caroline Champetier, Holy Motors
Mihai Malaimare Jr., The Master
Rui Poças, Tabu
Julián Apezteguia, Gone Fishing
Amol Gole, The Bright Day
Ben Richardson, Beasts of the Southern Wild
Roger Deakins, Skyfall
Stéphane Fontaine in Rust and Bone
Lucio Bonelli, Found Memories
Claudio Miranda, Life of Pi