Euro 2024 Film Spotlight

A criteria for previous Euro Film spotlights (Euro 2008, Euro 2012, Euro 2016) was to select previously unseen films or films from unknown directors. This led to some exciting discoveries and many months of viewing or hunting the film down. This time around, I have kept things a bit simpler. The main criteria for this Euro 2024 Film spotlight is to select some of the best films previously seen from each country. As a result, this will allow for a much more richer cinematic head-to-head competition. 9 decades are represented by these films with the earliest from 1949 and the newest from one from 2021.

Here are the 24 Top European films:

Group A
Germany: Aguirre: The Wrath of God (1972, Werner Herzog)
Switzerland: The Boat is Full (1981, Markus Imhoof)
Hungary: Satantango (1994, Béla Tarr)
Scotland: Gregory’s girl (1980, Bill Forsyth)

Group B
Spain: Death of a Cyclist (1955, Juan Antonio Bardem)
Italy: The Battle of Algiers (1966, Gillo Pontecorvo)
Albania: Daybreak (2017, Gentian Koçi)
Croatia: Buick Riviera (2008, Goran Rusinovic)

Group C
Slovenia: Spare Parts (2003, Damjan Kozole)
Denmark: Babette’s Feast (1987, Gabriel Axel)
Serbia: Underground (1995, Emir Kusturica)
England: The Third Man (1949, Carol Reed)

Group D
Poland: Dekalog (1989/90, Krzysztof Kieslowski)
Holland: The Vanishing (1988, George Sluizer)
Austria: Homo Sapiens (2016, Nikolaus Geyrhalter)
France: Pickpocket (1959, Robert Bresson)

Group E
Belgium: Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975, Chantal Akerman)
Slovakia: Orbis Pictus (1997, Martin Sulík)
Romania:  The Death of Mr. Lazarescu (2005, Cristi Puiu)
Ukraine:  My Joy (2010, Sergey Loznitsa)

Group F
Turkey: Once Upon a Time in Anatolia (2011, Nuri Bilge Ceylan)
Georgia: What Do We See When We Look At the Sky? (2021, Aleksandre Koberidze)
Portugal:  Mudar de Vida (Change of Life, 1966, Paulo Rocha)
Czech Republic: Closely Watched Trains (1966, Jirí Menzel)

Results of the Group matches, knockout phases will be posted in a few weeks.

Euro 2016 Films

All the 11 films of the Euro 2016 Book + Film Spotlight have now been viewed and the top 3 are selected.

Starting 11

France: Dheepan (2015, Jacques Audiard)

Belgium: Two Days, One Night (2014, Jean-Pierre Dardenne/Luc Dardenne)

Croatia: The High Sun (2015, Dalibor Matanic)

England: The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (2015, Ben Rivers)

Germany: Phoenix (2014, Christian Petzold)

Italy: Lost and Beautiful (2015, Pietro Marcello)

Romania: Aferim! (2015, Radu Jude)

Russia: The Fool (2014, Yuriy Bykov)

Slovakia: Koza (2015, Ivan Ostrochovský)

Sweden: A Pigeon Sat on a Branch Reflecting on Existence (2014, Roy Andersson)

Ukraine: Maidan (2014, Sergey Loznitsa)

Top 3 films

1. The Fool (2014, Russia, Yuriy Bykov)

Yuriy Bykov cleverly uses a building’s collapse to explore larger moral and ethical issues around society. The closed door meetings between city officials show how corruption can take root in a society and impact citizens in their day to day existence. Even though the film is set in Russia, its topic is applicable to any city and shows how easy it is for those in power to cross the morality line.

2. Two Days, One Night (2014, Belgium, Jean-Pierre Dardenne/Luc Dardenne)

Even by the high standard of the Dardenne brothers, TWO DAYS, ONE NIGHT is a staggering achievement. The film depicts moral and ethical questions that are always present when money is involved. And in Marion Cotillard, the brothers have found a perfect face to convey the range of emotions from desperation to despair and even a touch of hope.

3. The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (2015, England, Ben Rivers)

This film’s long title, multi-layered structure and core story draws inspiration from Paul Bowles’ writing. The structure of the film is a nod to what Bowles managed in ‘A Hundred Camels in the Courtyard’ where Bowles found a common thread to link 4 completely different stories together. In the SKY TREMBLES, Ben Rivers has constructed a film which links together multiple works including a short story, a short film, some documentary footage and an art installation. All these works are seamlessly stitched together in a linear manner.

Rivers’ has managed this by alternating one aspect of Paul Bowles’ short story ‘A Distant Episode’. In the short story, the main character is a professor. In the film, the main character is a film director. This change allows Ben Rivers to find a common thread to link the different elements. This is because at the start of THE SKY TREMBLES, we see the filmmaker Oliver Laxe, scouting for locations in Morocco and attempting to complete a gruelling film shoot. The scenes we see are actual footage from Laxe's second feature MIMOSAS. And then at some point in THE SKY TREMBLES, Oliver Laxe stops shooting his film and steps into Paul Bowles story. What then follows is a series of remarkable events.

Final verdict on 11 films

Overall, a rich and diverse collection which highlights some of the best European cinema made over the last two years. Unfortunately, due to the timeline of the spotlight, there are no pure 2016 films but many of the 2015 films have had a cinematic release in 2016 or will do so in the upcoming months.

Top 5 Books

The top 5 books were already selected a few months ago.

Euro 2016

The tradition continues of having a book + film spotlight for a major soccer tournament. The expansion of the European Championship to 24 teams certainly posed a challenge regarding the selection process for this spotlight. Having to watch 24 films for each of the 24 countries in 6 months would have been an easy proposition but having to read 24 books in 6 months would have been a stretch. Therefore, the total number of book and film selections is divided, although not in an even manner. 23 nations have either one film or book in the spotlight. That means if a nation has a film in the spotlight, there is no book representing it. The same is true for books as well which means if a country has a book in the spotlight, then that country will have no film selected. The only exception is France, the Euro 2016 hosts. France gets two books and one film in the spotlight.

There are a total of 11 films and 15 books selected with the requirement to have more books than films in the spotlight. The film selections are contemporary with only 2014-2015 titles. However, for the books, the goal was to have a match-up between some heavyweights. As a result, many well known older titles are selected. On the other hand, there are some titles from newer worthy authors thrown into the mix.

All of the films have to be viewed and all the books read by June 1, 2016.

Films:

France: Dheepan (2015, Jacques Audiard)

Belgium: The Brand New Testament (2015, Jaco Van Dormael)

Croatia: The High Sun (2015, Dalibor Matanic)

England: 45 Years (2015, Andrew Haigh)

Germany: Phoenix (2014, Christian Petzold)

Italy: Lost and Beautiful (2015, Pietro Marcello)

Romania: Aferim! (2015, Radu Jude)

Russia: The Fool (2014, Yuriy Bykov)

Slovakia: Koza (2015, Ivan Ostrochovský)

Sweden: A Pigeon Sat on a Branch Reflecting on Existence (2014, Roy Andersson)

Ukraine: Maidan (2014, Sergey Loznitsa)

Note: If Loznitsa’s The Event (2015) is available, it will be selected over his 2014 film Maidan.

Books:

France: Life A User’s Manual (Georges Perec), The Prone Gunman (Jean-Patrick Manchette)

Albania: The General of the Dead Army (Ismail Kadare)

Austria: The Man Without Qualities (Robert Musil)

Czech Republic: The Other City (Michal Ajvaz)

Hungary: Sátántangó (László Krasznahorkai)

Iceland: The Blue Fox (Sjón)

Ireland: Ulysses (James Joyce)

Northern Ireland: The International (Glenn Patterson)

Poland: The Elephant (Slawomir Mrozek)

Portugal: The Book of Disquiet (Fernando Pessoa)

Spain: Mazurka for Two Dead Men (Camilo José Cela)

Switzerland: The End of All Men (C.F. Ramuz)

Turkey: The Black Book (Orhan Pamuk)

Wales: A Book of Wales, an Anthology (selected by Meic Stephens)

European Films

The 39 films representing the 13 European Nations taking part in the 2014 Movie World Cup have been selected. The three films from each nation follow the following criteria:

Film 1: previously seen film from 2005 - 2013
Film 2: unseen film from 2005 - 2013
Film 3: film from 1960 - 2004

Belgium

Film 1: The Referees (2009, Yves Hinant/Eric Cardot/Delphine Lehericey)
Film 2: Eldorado (2008, Bouli Lanners)
Film 3: La Promesse (1996, Jean-Pierre Dardenne/Luc Dardenne)

Bosnia: Two films by Danis Tanovic make the cut

Film 1: Cirkus Colombia (2010, Danis Tanovic)
Film 2: Belvedere (2010, Ahmed Imamović)
Film 3: No Man's Land (2001, Danis Tanovic)

Croatia

Film 1: Buick Riviera (2009, Goran Rusinovic)
Film 2: Karaula (2006, Rajko Grlic)
Film 3: Witnesses (2003, Vinko Bresan)

England

Film 1: Trishna (2011, Michael Winterbottom)
Film 2: Two Years at Sea (2011, Ben Rivers)
Film 3: If...(1968, Lindsay Anderson)

France

Film 1: Holy Motors (2012, Leos Carax)
Film 2: Bastards (2013, Claire Denis)
Film 3: L'Argent (1983, Robert Bresson)

Germany

The only nation to have three different formats for its film selection: fiction, documentary and TV Series.

Film 1: Everyone Else (2009, Maren Ade)
Film 2: Gerhard Richter - Painting (2011, Corinna Belz)
Film 3: World on a Wire (1973, Rainer Werner Fassbinder)

Greece

Film 1: Unfair World (2011, Filippos Tsitos)
Film 2: Dos (2011, Stathis Athanasiou)
Film 3: Ghost of a Chance (2001, Vangelis Seitanidis)

Holland

I have decided to put all the eggs in one basket by selecting all 3 films from Alex van Warmerdam. It could prove to be a costly mistake.

Film 1: Borgman (2013, Alex van Warmerdam)
Film 2: The Last Days of Emma Black (2009, Alex van Warmerdam)
Film 3: The Northerners (1992, Alex van Warmerdam)

Italy 

Film 1: Le Quattro Volte (2010, Michelangelo Frammartino)
Film 2: The Great Beauty (2013, Paolo Sorrentino)
Film 3: Il Posto (1961, Ermanno Olmi)

Portugal

Film 1: The Strange Case of Angelica (2010, Manoel de Oliveira)
Film 2: Centro Histórico (2012, Pedro Costa/Manoel de Oliveira/Víctor Erice/Aki Kaurismäki) Film 3: Ossos (1997, Pedro Costa)

Russia

Film 1: Alexandra (2007, Aleksandr Sokurov)
Film 2: The Edge (2010, Aleksey Uchitel)
Film 3: Stalker (1979, Andrei Tarkovsky)

Spain

Film 1: In the City of Sylvia (2007, José Luis Guerín)
Film 2: Blancanieves (2012, Pablo Berger)
Film 3: The Red Squirrel (1993, Julio Medem)

Switzerland

The only nation to have a short film in the competition. We Are The Faithful is such an appropriate film for a Movie World Cup that it was hard to ignore.

Film 1: Das Fraulein (2006, Andrea Staka)
Film 2: We Are The Faithful (2005, Michael Koch, short film 9 minutes)
Film 3: Signer's Suitcase (1995, Peter Liechti)

On paper, France, Italy, Portugal and Russia appear to be the strongest European representatives. Although, Belgium still have an excellent chance to go far. Picking three films from the Dardennes would have ensured Belgium a genuine chance at the Movie World Cup title but The Referees is present on merit as it finished #1 in my 2010 Year End List.