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Showing posts with label Kleber Mendonça. Show all posts
Showing posts with label Kleber Mendonça. Show all posts

Sunday, March 08, 2026

The Films of Kleber Mendonça Filho

Spotlight on the films of Kleber Mendonça Filho

Neighboring Sounds (O som ao redor) (2012)

Aquarius (2016)

Bacurau (2019, Kleber Mendonça Filho and Juliano Dornelles)

Pictures of Ghosts (2023)

The Secret Agent (2025)

It is an enriching experience to view a director’s collected works and understand their cinematic style. In the case of Kleber Mendonça, I was fortunate to view his first feature film Neighboring Sounds in a cinema and watch all subsequent films in order. I was a fan of the social commentary in that first film but there was a lingering sense of dread the film evoked. I wasn’t able to pin down that sense of dread and what style it was evoking. Mendonça’s second film Aquarius confirmed what that underlying layer was. Just to hammer home the point, Kleber Mendonça’s third film Bacurau spelled things out. Mendonça was a fan of genre films and layered his works with reworkings of horror, thriller elements. This sense of genre has a delicious presence in his recent film The Secret Agent, a film about real and imagined monsters. In The Secret Agent, the real monsters hide in the shadow but in a very creative homage to genre films of old, a terror emerges from the shadow to cause havoc on innocent people. This terror has political implications but in the newspaper columns, radio programs and people’s imagination, the fear of this terror takes hold displaying the real monsters. The genre homage is played upon by the film’s Indian release poster:


Once Upon a time in Recife

Recife forms a core unifying thread in Kleber Mendonça’s cinema as the director’s birth city is featured prominently in 4 of his 5 features to date and multiple short films. The exception is Bacurau but that film is shot in the state of Pernambuco, a state whose capital is Recife. Via these 5 features, Recife and the state of Pernambuco showcase monsters and terrors that haunt both urban and rural settings.

In Neighbouring Sounds, the film shows the fear that grips residents across the poverty divide when urban anxieties are heightened by outsiders, perhaps those arriving from rural parts or other urban centers. Aquarius shows the world of rapid development where the past is always in danger of being demolished for a shiny new future. In this case, the villains are land developers who are constantly looking for new avenues to increase their profit. Bacurau takes the fight for land, water and survival to extremes where the rich wealthy foreigners hunt the locals for fun. Interestingly, contemporary events around the world mean Bacurau feels an allegory of our current times. Pictures of Ghosts is the only documentary out of these 5 films and showcases a past where cinema played a vital part in people’s weekly social and cultural outings. The Secret Agent goes back to Brazil’s political past but this film’s look and feel would not have been possible without Pictures of Ghosts. Indeed, some frames of The Secret Agent look like those archived footage shown in Pictures of Ghosts.

Ranking of these 5 Kleber Mendonça Filho films:

1. Neighboring Sounds (2012)

Aided by a rich sound design & visuals, Kleber Mendonça Filho’s debut feature film ensures an immersive cinematic experience. A viewer gets a ringside seat in one of Recife’s neighbourhoods to witness the daily activities of the residents, including their morning and nightly routines. Depicting the everyday reality would have been good enough, but Kleber Mendonça Filho enhances the experience by adding layers of memories and nightmares with a few smart cuts. As a result, the multi-layered film contains a subtle sense of dread but in a much subtler note than Michael Haneke's Caché. This means that even when viewers witness harmless events in and around an apartment complex, there is a sense that something sinister is going to happen. The viewer can't be passive and is instead forced to examine each frame and its accompanying sound to know what the characters are up to.

2. The Secret Agent (2025)

The Secret Agent is easily the most accessible and cohesive of all Kleber Mendonça’s features to date. The smart decision to incorporate present times while depicting the past allows one to see the consequences of events over the course of a few decades. The film also shows how cinemas, once a vital part of society, become different spaces to heal people.

3. Bacurau (2019, Kleber Mendonça Filho and Juliano Dornelles)

In the near future, the small, isolated town of Bacurau becomes a setting for an epic battle for the ages. The inhabitants of the town are already struggling with lack of water and feel they are forgotten, a fact confirmed when they discover that their town is erased from the internet. The arrival of a few strangers jolts them into a heightened state of alert and soon they find themselves under attack from an international group of killers led by the experienced killer Micheal (Udo Kier). The killers are expecting easy prey but they aren’t aware of the town’s history or the residents’ usage of psychotropic drugs. The locals, led by Domingas (the legendary Sônia Braga), dig in and prepare for a bloody carnage.

Winner of a Jury Prize at Cannes, Bacurau is a scrumptious cocktail of an end of the world battle dipped in blood-soaked Spaghetti Westerns and garnished with political and sci-fi elements. This smart multi-layered political allegory is dressed in an exciting range of genres with references to Sergio Leone and John Carpenter’s films.

4. Aquarius (2016)

Even though the film is localized to a Brazilian apartment building, the events echo our current world of rapid development where the past is always in danger of being demolished for a shiny new future. In a way, the core message of this film has taken on more urgency in the decade since this film was released as fight for land has only intensified.

5. Pictures of Ghosts (2023)

A beautiful ode to Recife and cinemas of the past. The film shows how Recife has changed over the decades and once a city that teemed with cinemas now only has a few such operational cinemas. Many are abandoned or redone into other spaces. This is a scenario that is taking place across countless other cities across the world over the last few decades.