The art of fine animation and exquisite dining

Like most kids I grew up on cartoons. But as I grew up, my touch with the wonderful world of animation weakened. 1994's Lion King was a pleasant surprize which returned me back to my early child hood days when I used to love watching Kimba the White Lion (note: back then I didn't bother thinking that Kimba and Simba were different, I thought they were the same.) After the success of that film, many more animation films hit mainstream Hollywood, notably the slick Pixar films. After enjoying the initial offerings such as Toy Story, the animation films became another cliche just like action films or teen romance films. I found the Hollywood animation films were all style with no substance -- a lot of the films were packed with references to pop culture and clever sounding dialogues but they were hollow & just empty chatter. And it seemed if Hollywood had its way, every single creature on the planet would have been in animation films talking about the universe and grooving to the latest musical trend.

But it was not all doom and gloom. The intelligent Waking Life released in 2001 showed that there are indeed some topics which could benefit from animation. Two years later, another smart animation film was released courtesy of France -- Les Triplettes de Belleville. And surprizingly in 2004, Hollywood released The Incredibles which was a wonderful film that proved that maybe, just maybe, slick animation films can exist. But after that, we returned to more pointless animation films. And when a few months ago, I first saw the trailer of Ratatouille, I threw my hands up in despair -- Hollywood was now getting a rat to talk and cook. But two things changed my anticipation about this film:

1) The blog Reel Fanatic had been enthusiastically talking about the film for a few months. Only through Keith's blog did I realize that Brad Bird who was behind The Iron Giant and The Incredibles also created Ratatouille.

2) The wonderful New York Times article about how a real chef, Thomas Kellar, was used to cook for the film really swung me the other way.

And the verdict for the film?

Ratatouille (2007, Directed by Brad Bird): Rating 10/10

The highest rating I can give for a film! This is an absolutely wonderful film that fully uses the power of animation to craft a heart-warming tender story. Even though the concept of a rat cooking fine food can only be done with animation, this film gives us plenty of other scenes which regular film just can't capture. The beautiful shots of the food, all the way from its cooking and preparation to serving can't be perfectly captured by regular features, digital or not. Because if a feature film only focuses on a food's plating and look, it won't be able to capture the assembly line madness that exists in a kitchen. And on the other hand, if a film shows us long shots about the chaos in the kitchen, then it won't be able to properly get close-ups of the food. Sure a tv show like Hell's Kitchen attempts to capture the kitchen's madness and fine cooking preparations but it never manages to give us the true beauty that food really deserves. In that sense, Ratatouille is able to use animation to adjust the lighting, zoom-ups, long shots, etc to make the food look as mouth-watering as it should.

The story shows that at the end of the day, the best food is that home cooked meal a person has -- the highest compliment we can give to a restaurant is that the dish tastes like mom used to make it. The film shows the difference between stuffing oneself with junk versus carefully choosing what we put in our mouths. Interestingly, I can extend that comparison to Hollywood's animation films as well. Most animation films are assembly line commercial fare with a generic bland taste suited to cater all age groups. But Ratatouille is a carefully prepared delight with exquisite tastes that should still satisfy all palates.

Dance, groove and love

First there was the song. The story came later followed by the film. That in a nutshell is the evolution of Bollywood. Not to be confused with Indian cinema, which developed rapidly throughout the country in a different songless manner. In the first few years, the songs were a beautiful companion to the Bollywood stories; the song knew its place and never dared take over the story, and likewise, the story knew of the song's existence and ensured that the songs never looked out of place in the movie. As a result, absolute vintage musical gems were produced thru the 40's upto 1960's. Everyone has their favourites from that era but Guru Dutt and Raj Kapoor stand out as just two outstanding examples of film-makers who acted and directed memorable films such as Pyaasa, Kagaash ke Phool, Shree 420, Awaara, Barsaat, Mera Naam Joker.

The 1970's brought a change to the Bollywood landscape. While some classic Raj Kapoor films continued into that decade, a new breed of films landed on the market -- the 'angry man' action films lead by Amitabh Bachchan. Titles such as Sholay, Don, The Great Gambler , Trishul, Deewar, Kaala Pathar were some of Bachchan's biggest hits. While Amitabh's angry characters fought for the simple man, catchy dance numbers started the initial separation from the story. 'Item' numbers (or slut dance numbers as I like to call them) gained more in prominence and had nothing to do with the story -- it just so happened that our brave hero found himself at a party or a club where a woman was dancing her heart out; the dancer threw herself onto the hero who acknowledged her presence in his typical macho manner, had his way with her and went off to save the world. While this trend of 'item' numbers continued in the 80's, a new breed of parallel art cinema also entered Bollywood's language as well. These art films sometimes didn't have songs and focused more on story and character development.

Alas, the art film movement vanished by the start of the 1990's. In fact, even commercial Bollywood languished in the early 90's, existing in a lost phase -- there was no trend or tone to be gathered from the decade's first releases. All that changed in 1994 when Sooraj R. Barjatya released Hum Aapke Hain Kaun, a film with a marriage-love story theme but packed with 14 songs (much more than the existing average of 6-8). It was a huge box office hit and signaled to Bollywood that songs and marriage plot were in. The next few years saw nothing but love stories and marriage films with countless songs. By now, the songs had nothing to do with the story and in fact, a lot of films developed its songs first and then bothered crafting a story around the songs. Even Yash Chopra who directed story oriented films in the 1970's jumped on the band-wagon and along with his son, Aditya, started making these lovey-dovey song, dance stories.

Thankfully, the demand for something 'different' from the audiences gave a brief hope at the end of the 1990's and start of early 2000's as some directors attempted songless films with bold stories. After mixed success, most of these films disappeared to be replaced by complete foreign film remakes. While in the previous decades, Bollywood had only borrowed few elements from Hollywood and foreign cinema, the years from 2001 - present have seen full fledged remakes of stories from Hollywood to Europe to Eastern Asian cinema. And ofcourse, the songs are present there as well. Some directors attempted to carefully integrate the songs into the film, but most film-makers shot songs as a separate entity -- the story takes a break while the actors dance and continues after the 3-5 minute song. For the most part though, the story had a reason to exist with the song only serving to attract audience members to the theater. That is until now, when a film has been created where the songs dominate the film. There is a tiny story but it is squeezed in between songs that one hardly notices that the film even has a story. In the past, the story made compromises to let the song exist. However, this time, it is the song that is making a compromise to let the audience see a bit of the story.

The film in question is Shaad Ali's Jhoom Barabar Jhoom. This Yash and Aditya Chopra produced film starts and ends with a song danced by Amitabh Bachchan. In between the two songs, we get multiple love stories starring Abhishek Bachchan, Lara Dutta, Bobby Deol, Preity Zinta. After the initial song has ended, Rikki Thukrall (Abhishek) runs into Alvira Khan (Zinta). The two exchange their separate love stories with Rikki describing his love tale with Anaida (Lara) and Alvira mentioning her fairy tale love with Steve (Bobby). The narrated love stories come complete with songs, ofcourse. And then Rikki and Alvira imagine if both of them were not engaged to other people, what their love story would be like. Cue another song. Now, we have three love stories going on at the same time -- Rikki & Alvira's along with Rikki & Anaida plus Alvira and Steve. Thankfully, we are allowed a few moments of hilarious scenes in between the songs. Out of nowhere, the film's last 20 minutes stuffs us with an endless rendition of the title song, over and over again. The excuse we are given is that the actors are taking part in a dance competition but even by Bollywood's standards, the dance is plain awful -- the song is infectiously catchy but everything else around the song is a real waste. The only thing worthwhile about that song is in between the dance rounds, we see characters dressed in costumes from Bollywood hits of the past such as Mera Naam Joker, Bachchan's Shahenshah, Hum Aapke Hain Kaun, Mr. India, etc.

So what is one to make of this excuse of a movie? There is plenty to like in the film with Lara Dutta's fabulous acting as a prostitute and Abhishek's charming performance as Rikki. Ofcourse, Abhishek looks more and more like his father when he is freely acting. The only negative in terms of acting is Preity Zinta -- over the last few years, I can't determine if Zinta is to blame for playing her characters annoyingly or she is innocent and only gets annoying characters to play in films? The film is packed with some hilarious tender moments, especially between Abhishek and Piyush Mishra as the two wander around London. Also, there is a hilarious scene involving Rikki and Steve as they drive on a motorcycle while a musical clip from Sholay is played in the background -- that was a cute touch as that Sholay song featured both actor's fathers, Amitabh and Dharmendra. So the film is not afraid to showcase previous Bollywood films, but despite all the cuteness can't mask the fact that the story is only a placeholder until the next song comes along. Cue song and let the Jhooming begin.

Mindless entertainment value: 7/10
Story & Screenplay: 4/10
Direction: 5/10
Music: 9/10
Acting: 8/10

The screenplay is dull for the first 20-30 minutes and since the film is set in London, annoying character compromises are made as per the recent trend in Bollywood showing love/friendship stories between Indian and Pakistani ex-pats continues. Why can't Bollywood show a story about people as opposed to bringing jingoism and religion into it everytime? If one blinks, one might miss two cameos from the stars of BBC's hit comedy The Kumars at No. 42.

Spies, Crime and those evil corporations

Spies:

The Listening (2006, Italy, Director Giacomo Martelli): Rating 8/10

Shhh...quiet. They are listening? Who? The government ofcourse. But how? Over the phone. But the phone is on the hook. It does not matter, they can still hear. Echelon & Tumbleweed.

Even though the movie starts inside the National Security Agency in Washington, this is an Italian production. So it is not surprizing half way through the film, the action shifts to the beautiful locales of Italy. Giacomo Martelli has created a fictional tale around real reports of Echelon, the spy network used by both UK & USA to spy on its citizens. But why would governments need to spy on their own people? For their safety ofcourse!

I enjoyed watching this film thinking how on earth such a slick production could be made independently and made to suffer trying to find a buyer for the North American market. Even though Hollywood has produced superior spy films, this film attempts to show a different side of the modern spy games that the super-powers are engaging in -- the power to use computers, networks, cell phones to listen in on people. The film stories of surveillance started as early as 1974 with Coppola's The Conversation and was beautifully revived last year with the German production The Lives of Others. Now a beautifully shot Italian production tries it hand at tackling such a topic.

The political games were complicated enough during the Cold war. But in modern times, they are further complicated with the additional layer of fake patriotism and talks of national security. As a result, honest people in the spy industry can be pushed aside lest they say something against the system. In that sense, the film shows an interesting situation where a company selling a security software can exert more power than the security agency itself. Is that unlikely? Ofcourse not! As a few more film examples will show below, modern corporations do have more power than governments in a lot of cases.

Chances are this film won't see life in a North American theater but hopefully it makes out on DVD here because it is better than majority of the commercial junk that exists out there. A worthy topic which has very good cinematography and production values, especially some of the picturesque shots of snow capped Italian mountains.

Crime:

El Aura (2006, Argentina, Director Fabián Bielinsky): Rating 8.5/10

It is shame that the world lost such a talented director as Fabián Bielinsky last year. Even though he has only directed two very good films, his unexpected death will be a real loss.

Nine Queens was a personal favourite of mine so I was eager to see his second effort. The Aura starts off by introducing us to a taxidermist, Esteban (played by Ricardo Darín). So far so good. But a few minutes into the film, Esteban describes how to rob a bank. Since the same actor Ricardo Darín appeared in Nine Queens as a con artist, we get the feeling that another con job is on the cards here. But to Bielinsky's credit, this is a delicate multi-layered film with the con serving as only one element. As it turns out, Esteban only fantasies about robbing banks. In real life, he has never used a gun and suffers from epilepsy.

A hunting trip with a friend goes wrong and leads to an unexpected killing. From there, a chance to take part in the perfect robbery presents itself to Esteban. His sharp mind puts all the pieces together and he is ready. But he forgets the very first thing he read about the robbery -- "the third man". A twist. Most of the film appears in a dream like trance state. Which is explained by Esteban's condition. Just before Esteban gets his epileptic attacks, he experiences a few liberating moments of calmness. He explains such a situation is called "El Aura" by the doctors -- his mind opens up and thoughts gush in, and then he collapses. A few moments later, he wakes up, shook up and dazed. So in that sense, it is appropriate that the entire film appears to take place in a higher plane, above the ground where a sort of lightness is present. On top of that, the sharp haunting eyes of a dog watching Esteban as he tries to hid his crime only add to the film's dark atmosphere.

Vanaja (2006, India, Director Rajnesh Domalpalli): Rating 8/10

This beautifully shot South Indian film centers around a hushed up crime. 15 year old Vanaja comes from a poor family. Through her father's help, she gets a job in the town's leading dance instructor's house. Also, as an added bonusVanaja gets to pick up a few tips to improve her dance. We see this young woman grow on screen. When we first meet Vanaja, she is an innocent girl. But gradually, we see her confidence grow. But just as things are looking good for her, she is raped by the dance instructor's son. The crime is hushed up and the pregnant Vanaja disappears until she has given birth. She returns back to society but is faced with a few difficult decisions.

The film has won plenty of awards at film festival and it is easy to see why. The colorful visuals backed by a very strong performance from young Mamatha Bhukya make this film stand out.

Evil Corporations:

The last few years have seen a glut of documentaries exposing the crimes and practices of corporations. In most cases, the various films end up covering the same ground as only a few global companies are involved in carving the world up. One common theme is the privatization of natural resources in South America. Bolivia is a frequently used example where the attempted privatization of water was foiled by the protests of the citizens. But other nations are not as fortunate. No mater how much they protest, the world is not listening and their cries go unanswered. There is one interesting fact that stands out from all these films -- in modern times, people in North America are unlikely to protest about corporations running amok. And in the odd case, even if the people protest, their efforts are not covered by the media and pushed under the carpet. So the only avenue to get the message out is via films, especially documentaries.

The Big Sellout (2007, Germany, Director Florian Opitz): Rating 9/10

A very polished documentary which makes a case for the pros and cons of privatization in 4 nations -- South Africa, Bolivia, England and Philippines. We see how the privatization of electricity is creating problems in South Africa and the shambles of health care in Philippines. The Bolivian water situation is shown but the most surprizing example is that of the British Railways. A carve up of the government owned British Railways let to 150 separate (yes 150) companies owing their own chunk of the trains. So is it a surprize to find so many problems in the train systems?

Even though each story is shown to be a separate segment at the start, gradually we can start seeing similar patterns in all these nations problems. But what can be done? The Bolivian example is surely a great hope to people around the world but is it just an isolated example? Will people prevail or will everything get a bar code stuck on it in the end? The current trend suggests the latter.

The Bushmen's Secrets (2006, South Africa, Director Rehad Desai): Rating 8/10

This is a truly refreshing documentary on a topic hardly seen on screen. A long time ago man survived on herbal and natural remedies. But then the drug companies took over and produced a pill to cure every problem. After enough problems and side-affects started to appear, people yearned for simple herbal solutions. So the new money making idea was for drug companies to mass produce and sell herbal solutions. And such a scheme meant stealing generation old tribal knowledge and patenting it as their own.

Rehad Desai travels to the Kalahari desert to see how the bushmen survive the desert like conditions. He is told of a plant, Hoodia, a cactus which is eaten by the bushmen because it suppresses their appetite and gives them nourishment to help in long treks across the hot barren land. Something that suppresses the appetite? Well here is clearly a giant billion dollar plant! So what happens next? Corporations descend in, steal the plant legally or illegally and start counting the money. Desai has done a creditable job with this film in showing the various aspects of marketing such drugs and also depicting how the local governments are to blame as well.

Eastern Europe, part IV

The Eastern Europe series continues to provide rich cinematic viewing. The previous collections involved only watching features but this selection has six documentaries and three features. When I started this experiment more than a month ago, I wanted to study Eastern European soccer and film together. But as the weeks have gone on, the soccer spotlight has fallen a bit short. Still, the films have made provided a good viewing point into past and current Eastern Europe.

Films:


Part I started with war and collapse of a nation. Other topics were touched upon in part II but part III ended with the army take-over of a city. Part IV picks up exactly from that theme.....

Nation & city under siege:

Emir Kusturica's Underground had this memorable line: "A war is not a war until a brother kills a brother". Well in Kusturica's When Father was away on business, it is not a brother but a brother-in law who turns on his family. But one can argue such a situation is bound to happen in a state when people are kept under constant watch and citizens are encouraged to put the good of the nation before individual freedom. While this political situation is considered evil, in soccer it is such a situation that works wonders for a team -- if all players work hard for a team and put their own egos aside, sometimes a team can achieve victory. So if something works in soccer, then why can't it work in society? The difference is that in soccer, if a person goes against the system, he is not tortured and put in prison.(unfortunately, Iraq is an exception where soccer players were put in prison and beaten after bad results. A topic for another time...)

So what happens when a man is put in prison for something he said? It sets a horrible example for others and keeps the fear machine working. As the film's title points out, the kids of such a father are told that their beloved dad is away on business while he is locked away in a prison. Only when the kids are older do they understand what their father had to go through. As it turns out, the father was arrested by his brother-in law but it was the father's girlfriend who tipped off the brother-in law. So when the father returns to society, he seeks out the ex-girlfriend for revenge. And revenge ends up being a passionate animal like love making session. While the fucking is going on, the innocent son, who was kicking a soccer ball, catches a glimpse of his father with another woman. He leaves the soccer ball on one side and instead watches the other game. What is going through his mind? We will never find out but the goal has been scored and the soccer ball & the woman lay harmlessly on the ground. Waiting to be touched again...one day...

A peaceful city. Then war and destruction. Death is at every corner as buildings are destroyed. Slowly, the city tries to rebuild and finds some joy when some of the enemies are sentenced for their crimes. Sergei Loznitsa does a remarkable job in putting together a film from Soviet government archives of the siege of Leningrad. Blockade has no dialogues but is actual archive footage between 1941-1944 which shows how the city is shattered. Loznitsa has recorded a new sound-track which is remarkably in sync with the images shown on screen. This film proves that sometimes scripted film can't even close to the drama that everyday life offers. But it is amazing that someone was actually capturing all these images back in 1941?

The beautiful Hungarian film Happy New Life never really tells us which city is under watch but in the film's fictional world, we learn that young kids were taken from their homes and then experimented upon. After more than decade, these kids are released into society as adults. Who are these kids? What was their childhood like? These people will never know and they struggle with modern life. We come across such an adult who tries to find about his past. But all he gets are a few pieces of paper which tell him nothing. So he is forced to resort to his own ways to dig up his past. He goes about his regular life but each day is painful for him and he is constantly on the verge of living and dying. Amazingly shot, this vintage film lets the images paint as a picture of a suffering victim who is trying to cope with life after his government took away his innocence. An official selection for TIFF 2007 and hopefully it makes out for CIFF and VIFF as well.

Sometimes only a portion of a nation can is clamped down upon while the rest of the country goes about their life as usual. In Balkan Champion Réka Kincses shows the political struggles that her ethnic Hungarian father faced in Transylvania. The current geographical map shows that Transylvania belongs to Romania but it was once part of Hungary. So understandably, the region is populated by plenty of ethnic Hungarian people whose rights were not recognized by the Romanian government. Kincses tried to fight for his people but the political games forced him into exile. Réka does a wonderful job of digging into the past and tries to understand the reasons for her father's problems. This is an emotional film that shows the suffering that the family also had to undergo as a result of the father's political battles.

Suffering:

A nation's political situation is not the only cause for a individual's suffering. Circumstances sometimes deal an unlucky hand to some people. The powerful Czech doc Marcela brutally shows the destruction and suffering of Marcela. Her life has been captured by tv for over 25 years and we see it go from good to terrible. In 1980, everything was good for Marcela -- she was newly married with the love of her life. But a year after the birth of her first child, her marriage starts to fall apart and she gets a divorce. A few years later, the reunion of Marcela and Jiří takes place (once again captured on camera) but that ends again. We see this woman change over time and find her getting sucked into deeper depression. The hammer blow comes when tragedy strikes her daughter, plunging Marcela into utter darkness. But she survives her attempted suicide attempts and continues to carry on when the camera leaves her in 2006.

This is another example of the power that documentaries have over scripted features. Although watching such raw footage of a person's collapse is not pleasant viewing but it is still worthy cinema because it can show how easy it is to get sucked into an endless cycle of misery. One can see the film and acknowledge the problem but can everyone be strong enough to fight their inner demons?

The Romanian dark comedy A Roof Overhead shows the suffering two women go through in a mental hospital. Their suffering is almost matched by the constant stress that the doctors have to go through daily while working in the under-staffed and under-funded hospital. So in order to alleviate the funding problem, a lot of the patients are discharged. So the two women find themselves free in society. However, they find more problems in their everyday life. On a suggestion by one of them, the two head to the country side to live in an inherited house. But the country house is no longer a luxury place; it does not even have a roof (hence the title). We come across plenty of colorful and eccentric characters in the country-side. An often hilarious film with a tinge of sadness tucked away. The movie feels similar to The Oak, another film which managed to capture the raw spirit of the Romanian life. And yes, the gypsy music is also present.

The well shot Romanian film Village of Socks shows how poverty & unemployment effects life in a small Romanian village. Thankfully, some of the village women are able to make money thanks to sock making to generate some income. At times the topic might be dry but this is a polished film that captures some precious shots of everyday life.

Beauty & everyday life:

Miss Universe 1929 chronicles the life and times of Austria's only Miss Universe. The film uses rare raw footage and old photographs to show a love story of Lisl Goldarbeiter, Austria's shining beauty. Even though there are plenty of repeated shots and dull moments, the film has some merit when it highlights everyday life as the World War disrupts a country.

I first heard about Georgia thanks to Shota Arveladze & Kaka Kaladze, two acclaimed soccer players. But it is Kaka's story that made plenty of headlines. In 2001, his brother was kidnaped in Georgia and a huge ransom was demanded. Despite his parents paying the ransom, the brother was not returned. It is believed that his brother's dead body was found in 2005. What can one infer from this? Even a powerful soccer player, a national hero, can't use all the political and financial resourced to get his brother back. So what of the ordinary citizen?

So I was glad to get the chance to watch Akhmeteli 4, a documentary which shows everyday life of the residents in the director's former apartment building. Artchil returns back home to Tbilisi after more than a decade to see how things have changed. A simple film which manages to show how everyday citizens are going about their lives. We even see the locals betting on Western European soccer scores. It is amazing to see how much knowledge the locals have of Western soccer while most of Western Europe hardly knows anything about Eastern soccer. But I am sure that knowledge will improve in upcoming years as Eastern European soccer players are becoming very important to the big European soccer leagues. In the meantime, the betting will go on -- will Chelsea win by 2 goals, with the Dutch team avoid defeat this week? The bets are placed in Eastern Europe, the games are played in the West, and maybe, just some money makes it to the winner in the East. So as to continue the circle of betting in between shots of coffee and alcohol.

Copa America Film Festival, Final & Third Place

The Final soccer match in Copa America 2007 won't take place until Sunday July 15 but I am wrapping up the Copa Film festival a week earlier.

Final: Uruguay (Whisky) vs USA (North by Northwest)

This is surely a worthy final. Just like in the semi-final between Argentina and USA, both films are completely differently paced -- Whisky uses minimal action and hardly any background music but it invokes plenty of humour and emotion. North by Northwest on the other hand guides its audience down a path of mystery and intrigue by having appropriate background music to create the desired emotion. Both feats are hard to achieve (emotion without showing much and emotion with a heap of action) but I have to give a slight edge to Whisky because of its uniqueness -- there have been enough spy movies in the last few decades and Hitchcock's film came in 1959 after more than a decade of femme fatale, film noir and spy movies. On the other hand, there aren't too many dead-pan style films around. Moreover, watching such a film is a rewarding experience as one never really knows what action a character will take. So we are only able to fully understand a character by watching them carefully in the film.

Total points for Whisky: 3 (Acting, Story, Direction)
Total Points for North by Northwest: 2 (Cinematography & Production Values)

Final Score: Uruguay wins 3-2 over USA

So the Uruguayan film wins the first ever Copa America film festival. It was a truly enjoyable experience to watch films from different South American countries (plus Mexico & USA) and compare them. While Brazil and Argentina produce a healthy dosage of films in South America, it is refreshing to see other South American countries making some creditable efforts as well. But when it comes to soccer, Brazil and Argentina are still miles ahead of other South American nations. And there are no signs of that trend changing for the next few years either.

And finally a consolation match for 3rd place:

Mexico (El compadre Mendoza) vs Argentina (The Official Story)

The cinematography and production values of neither film really stood but the Mexican film managed to seamlessly integrate a lot of extras and set props (revolutionaries) despite being made in 1934. The real strength of the Argentinian film is the combination of action, story and direction; The Official Story has scored no points for cinematography and production values in any of the 3 second round matches.

Total points for El compadre Mendoza: 3 (Story, Cinematography, Production Values)
Total points for The Official Story: 3 (Acting, Story, Direction)

Final Score: Mexico wins on penalties after 3-3 tie

I have to give a slight win to the Mexican film as I throughly enjoyed watching the characters trying to maintain a slim line between friendship and betrayal.

Copa America Film Festival, Semi-Final

On Sat, July 7 in the soccer tournament Uruguay demolished the hosts Venezuela 4-1 while Brazil ran riot over Chile in a 6-1 win. Brazil's wealth of talent finally shone. In terms of the film festival, the Brazilian film lost in the Quarters, while the Uruguayan film marches on powerfully. The film semi-finals are indeed rich with 4 very good films competing against each other.

Semi-Final 1: Uruguay (Whisky) vs Mexico (El compadre Mendoza)

Once again, the film from Uruguay wins easily.

Total points for Whisky: 5 (scores point in all categories)
Total points for El compadre Mendoza: 1 (Story)

Final Score: Uruguay 5 -1 Mexico

Semi-Final 2: Argentina (The Official Story) vs USA (North by Northwest)

This is a tough one. Both films are completely different genres (political drama vs Hitchcock's spy thriller) and play at different pace. The Official Story slowly develops and only hammers the emotional punch near the end. Whereas, North by Northwest immediately jumps into action and offers only a few moments of respite in a very action packed scenario.

Total points for The Official Story: 2 (Acting, Story)
Total Points for North by Northwest: 4 (Story, Direction, Cinematography & Production Values)

Final score: USA wins 4-2 over Argentina

Copa America Film Festival, Quarter-Final results

The 5 areas where the films are scored at:

Acting, Story, Direction, Cinematography and Production Values

Quarter Final 1: Uruguay (Whisky) vs Colombia (Los niños invisibles)

This is not really a fair contest. Even though Los niños invisibles is a good coming of age film, it really is no match up for the polished dead-pan comedy Whisky.

Final Score: Uruguay 5 -0 Colombia

Quarter Final 2: Mexico (El compadre Mendoza) vs Bolivia (Dependencia sexual)

In terms of acting, both films are very good, so they score 1 point each. Even though the story of the Mexican film is simpler and linear than the multiple plots in the Bolivian film, I have to give the edge to the Mexican film for having a better story.

The direction of the Mexican film is slightly superior but the fancy cinematography & good usage of sync sound earn full points for Dependencia sexual.

Total points for El compadre Mendoza: 3 (Acting, Story & Direction)
Total points for Dependencia sexual: 3 (Acting, Cinematography & Production Values)

So the only way a 3-3 tie can be broken is by a penalty-shootout, which involves a subjective vote on my part. At the end of the day, I have to give the win to the Mexican film as its story of friendship, politics and betrayal is more naturally developed and has an easier flow to it.

Final Score: Mexico wins on penalties after 3-3 tie

Quarter Final 3: Brazil (The Man Who Copied) vs Argentina (The Official Story)

This is a tough comparison. The Man Who Copied has a lighter and more commercial feel to it than the emotionally powerful The Official Story which is made not to entertain people but to raise awareness and even to heal certain wounds in Argentina's dark history. Here goes the comparison:

Total points for Brazil: 2 (Cinematography, Production Values)
Total points for Argentina: 3 (Acting, Story, Direction)

Final score: The Argentinian film wins the contest 3-2.

I have to admit that despite all its flaws The Man Who Copied is an enjoyable film but The Official Story has more substance to it.

Quarter Final 4: USA (North by Northwest) vs Peru (Días de Santiago)

Am I committing a crime here by daring to compare a classic film from Hitchcock against an entry from a Peruvian director only making his third film? Not really. Because in soccer, the mighty and powerful teams have to play the little minnows to advance in tournaments. Similarly, such uneven match-ups have to take place in this film tournament as well.

Total Points for North by Northwest: 5 (superior on all counts)
Total points for Days of Santiago : 2 (Acting, Cinematography)

Final score: USA 5-2 Peru

The acting is top-notch in the Peruvian film along with good blend of black & white + coloured visuals. I especially liked the fact that black and white was used to depict the main character's inner thoughts with colour used to show the reality around him. But despite having a good story, one can make a point that such a story has been done before. In fact, the character of Santiago is a poorer cousin of Travis Bickle (Taxi Driver). And the fact that both characters drive a taxi also helps provide an extra resemblance.

Copa America Film Festival, First Round Standings & Quarter-Finals Draw

Final First Round Standings:

Group A:

Group B:

Group C:

Both the films from Colombia and Bolivia are joint third after the group standings. But I have to pick the Bolivian film as the best third place team because it took more risks and had more of a bold experiment than the simple & sweet Colombian entry.

As per the tournament schedule, the draw for the Quarter Finals is:


As it turns out, not a single match-up is the same in the soccer and film draw. Although, a lot of similar teams occupy the same position. Interestingly, the films from Brazil and Argentina clash very early and that promises to be a close tie.

Copa America Film Festival, Group C

Both Paraguay and Argentina started off in fine form in this group, with each team scoring 8 goals in their first two games -- Paraguay beat Colombia 5-0 and USA 3-1, with Argentina securing 4-1 and 4-2 results against the US and Colombia. Argentina won the group beating Paraguay 1-0 and Colombia took third spot beating the Americans by the same score.

As it turns out, things were a bit different in the film standings. Of the 4 countries, Colombia managed the same position in both the Copa and film tournament -- 3rd spot.

Argentina:

Along with Brazil, Argentina are considered one of the best soccer teams in the world. Over the past few decades, they have produced quality players who have shown great flair and genius in front of goal. In fact, Argentina were quite a team from early days of soccer in the late 1920's and 1930's -- they reached the final of the first world cup losing 4-2 to Uruguay. But despite all their talent, there is a shade of darkness that lurks behind their success. Both the Argentinian world cup wins are tainted with accusations of cheating.

In 1978, Argentina hosted the tournament and won a pulsating final, 3-1 against a very good Dutch team. Mario Kempes may have been the hero for Argentina that tournament but it was the manner that the host team got to the final that still leaves a bad taste. Argentina had to beat Peru by 4 goals in the final game to reach the final ahead of Brazil. Peru hardly put up a fight and rolled over 6-0 to Argentina. Was there a bribe involved? Or were Peru scared of Argentina's dictatorship? No only well ever truly know.

In 1986, Argentina showed nothing but skill in all their games, except for a second of cheating in their quarter-final game against England. Argentina beat the English 2-1 thanks to two goals from Diego Maradona -- the second goal is still truly one of the best world cup goals of all time but the first is a shameful account of the worst this game has to offer. Maradona clearly punched the ball into the net but the referee didn't see that and awarded the goal. The second goal proved Argentina's superiority and even made the first incident seem worse -- such a good side didn't need to cheat but they did. And over the years, you can still find some incidents of cheating occurring despite the wealth of talent that the country has.

The 1978 world cup also helped mask the real problem of the Argentina's political situation. The dictatorship freely went about doing whatever they pleased and kidnaped anyone who opposed them. The "disapperances" of innocent people is something well documented now with new stories emerging every year as to what went on. Luis Puenzo's powerful & emotional film The Official Story weaves a story about such shadowy political acts. A couple adopt a little child. But where did the child come from? The husband does not want the wife to find out lest they lose the child. She can't resist and probes deeper. The truth threatens to tear them apart -- the child was one of those "disappeared" babies that was born when her mother was taken away. The film probes into a dark past of Argentina's history -- it scratches the surface to find the secrets and scars conveniently tucked away. And to think that while people were being taken away, the world was watching a soccer game?

Colombia:

Colombia is another South American country that is only mentioned in North American media when some crime has occurred -- we only hear and read of their drug and crime rate. But a nation is more than what a few corrupt people do with it. So in that sense, it was refreshing to see a cute film about innocent children from Colombia. Los niños invisibles is about that precious age when kids believe in magic and are still forming their view of the world. We get to see the children's first feelings of love, infatuation and see them lie for the first time. The film's title refers to three children's plan to use a secret formula to become invisible. Just a sweet harmless film.

Paraguay:

Cinema is not Paraguay's major export. Maybe that will change in the future? It was really impossible to find a film from this landlocked country. 2006's Paraguayan Hammock was my best bet but the film is not out on DVD yet.

USA:

The Americans sent a young team to Copa America. So it was not surprizing that the team lost all three games, but atleast the youngsters put up a fight and gained some valuable experience for the future. While the soccer team might have been inexperienced, I picked an American entry from one of the most experienced film-makers. Alfred Hitchcock is considered a genius and his films are dissected and studied endlessly. Even though Hitchcock directed more than 60 films, only a handful of his films are mentioned more than others -- Vertigo, Rear Window, Psycho, The Man Who Knew too Much and North by Northwest. Even though I had not seen this 1959 film, I had seen a few of its scenes in trailers over the years -- the plane heading down sharply towards Cary Grant and the chase scene over Mt.Rushmore.

This is a classic spy film. From the first frame, the action starts. Fast, fast...confusion. 30 minutes go by, and we are given a clue as to what the mystery is about. Phew. Relax. Now, it seems the rest of the film will be an easy relaxing watch. But no, another twist. Chase. Run. Then another clue and we can breathe easy again. But the action picks up again...finally, when we have all the clues, a long chase sequence ends the film.

I was not a big fan of the action scene in the end but as it turned out, Hitchcock wanted to make a film with a chase sequence on Mt. Rushmore. So if that scene didn't exist, then this movie might not have existed either! But I am a big fan of that plane scene -- how the plane heads menacingly towards Cary Grant is well filmed. Ofcourse, the background music is pitch perfect as usual, touching all the right emotions.

Final Group Standings:

Copa America Film Festival, Group B

Day Two of the Copa America had a huge upset -- Brazil 0 - 2 Mexico. Ofcourse, Chile's comeback to beat Ecuador 3-2 was news worthy but everytime Brazil loses a game, no matter at what level, it is considered a shock.

Brazil:

Brazil always has an abundance of talented soccer players at all age levels. In fact, the Brazilian soccer team is often spoiled for choices. Likewise, I found too many film choices for the Brazilian entry. But in the end, my choice was a film that I had wanted to see since I missed it at the film festival last year. And it was a good choice.

The Man Who Copied is an entertaining film that contains all the symbols one has come to associate with modern Brazilian movies -- poverty, crime, bank robbery, Rio & its postcard picturesque shots. Still the film is charming once the narrative overdosed first 25 minutes are over. As the title alludes to, the film is about a photocopier. André has a boring job photocopying documents all day long. But he manages to keep some sanity by photocopying book pages for his personal collection. And he rounds off his days by spying on Silvia, the cute girl who lives across the street. But love does not come cheap. André needs money for his future love, so he & an accomplice hatch up a scheme to mint money using his copy machine. A few twists manage to mesh his love story with his crime streak leading towards a cool finish.

Brazilian football is easy on the eyes -- slow movement accompanied with a string of beautiful passes, a few step-overs, jigs, fakes, dribbles and then an explosive drive to round off the game. Similarly, this is an easy going film that slowly gets into its groove, picks up speed, throws in a few twists to catch us off guard and then ties up all the loose ends.

Mexico:

Viva la revolution! Mexican folklore is rich with tales of revolution and fights against injustice. While El Violin (2006) was a recent black and white masterpiece about a revolution, it is refreshing to find a gem from the 1930's. El compadre Mendoza had a different take on the revolution -- it shows a wealthy person who can make or break a revolution. Rosalío supports both the government and Zapata's revolutionaries. But the tight political game that Rosalío plays has a price -- in this case it is his family's life that is at stake. An absorbing watch!

Chile:

Andrés lives a solitary life repressing his desires and needs; most of his time is spent looking after his grandmother. In order to better take care of his grandmother, he hires Estela. But the young Estela raises suppressed desires in Andrés. It turns out that his religious upbringing is to blame for him starving his body of carnal sins. And Estela is too tempting to pass up. On the other hand, Estela is new to the city and goes through her own self discovery. Coronación also gives us glimpses of the class differences that exist in Chile while handling a story of love, desire and crime.

The film may have gotten plenty of awards but at 140 minutes, it is too long and nothing to rave about.

Ecuador:

In the late 1990's Ecuador made the news in North America only for its kidnapings and crime. So it was not surprizing to find that crime and corruption formed the backdrop for the first ever film that I saw from Ecuador. The film's title comes from a popular hit song and hence music is the other major component of this movie. A forced love story is also thrown in for good measure. Poor acting and average camera work really make this a strained watch.

Final Group B Standings:

Copa America Film Festival, Group A

June 26, 2007: The Copa America started with Peru beating Uruguay 3-0 and the hosts Venezuela managing a surprise 2-2 tie with Bolivia. It is also time to compare the 11 films I have seen from the countries taking part in the tournament. I still have not found a film from Paraguay and my deadline is running out. Rules and format of the film competition are outlined in a previous entry .

Uruguay:

I was first introduced to Uruguay through soccer. When my interest in the game was developing, I quickly learned two things:

-- Uruguay won the first ever soccer World Cup beating Argentina in an exciting 4-2 game.

-- Uruguay won their second trophy in 1950 by beating Brazil 2-1 against all odds in front of 200,000 people packed in the Maracanã stadium.

Besides the two World Cups, Uruguay's only major achievement in the international game came by winning the 1928 Olympic gold medal. But when it comes to Copa America, Uruguay is the all time joint-top winner along with Argentina with 14 titles. However, their last title came in 1995 and it seems unlikely that the soccer team will achieve much in the near future given current problems.

The best soccer related contribution that Uruguay have made in the last decade is due to their genius author Eduardo Galeano. His book, Soccer in Sun and Shadow is one of the best books ever written about the global game. In the book, Galeano also cleverly combines political pieces of history while talking about the game's beauty. And then there is a single stroke of wit by the Uruguayan author -- starting from the 1966 tournament upto the 2002 tournament, he causally slips this line in his historical look at global events happening the same time as the soccer tournament: "Well-informed sources in Miami announced the imminent fall of Fidel Castro, it was a matter of hours."

This is the only identical line repeated in about 10 chapters of the book. It is not a very subtle inclusion but the fact that Galeano does not expand on this line any further and just repeats it as is makes for a hilarious take on the stupidity of the entire situation. Dry humour? Perhaps but absolutely funny.

Interestingly, it is a similar kind of dry wit that makes the Uruguayan film Whisky such a pleasure to watch. I had never watched any film from Uruguay before but the movie's deadpan humour was very familiar -- I really felt that I was watching another film from the Finnish film-maker Aki Kaurismäki. In Whisky, Jacobo plays an ordinary man who owns a sock factory. He follows the same dull routine everyday and is made fun of on his daily walk to work -- his local newspaper store owner never misses a chance to taunt Jacobo's soccer team's poor performance. When his slightly successful brother (Herman) from Brazil is coming for a visit, Jacobo has to show that his life is better than it seems. He asks once of his co-workers, Marta to play his wife. Herman also owns a sock factory in Brazil and uses modern machinery to earn more profits. Yet, both brothers are jealous of each other for various reasons and continue their invisible rivalry at all times. Despite not seeing each other for years, the two have nothing to talk about. So in order to pass the time, Jacobo takes Herman to a local soccer game. And when Herman once again starts giving business advice to his brother, the normally quiet Jacobo takes out his frustration by abusing the referee.

It was a real treat to see this movie. It achieves humour in the same style as Kaurismäki & Jim Jarmusch. As it stands, the Uruguay's soccer team might not do anything in Copa America. But this film is a strong candidate to win the Copa America Film Festival.

Peru:

History will show that Peru did make some waves in the World Cup for both the right and wrong reasons. The skills of Teófilo Cubillas certainly made Peru a team worth watching. But it is Peru's 6-0 loss to Argentina in the 1978 World Cup that has tainted their reputation. Argentina needed to beat Peru by four goals to reach the World Cup final and they scored the 6 goals with little opposition from the Peruvians. The game is a certain candidate for an example of match-fixing and also might point to the threat posed by Argentina's dictatorship in 1978 who wanted to use the soccer win to hide their crimes.

The current Peruvian team does have some talented players plying their trade in Europe. And it is the skills of these players that enabled Peru to dismantle Uruguay in the opening game of this year's Copa.

Días de Santiago is the second Peruvian film that I have seen & like the previous City of M its story centers around poverty and unemployment. In the intense & powerful Días de Santiago, we see a young discharged Army person struggling to find a job. Santiago fought and killed for his country but he is appalled to see the corruption around him. He is even more upset that his service counts for nothing and can't help him find work. While his ex-military friends plan a bank robbery to earn money, Santiago opts to make honest money by driving a taxi.

The film is shot in both colour and black & white. Initially, all of Santiago's inner monologues & thoughts are shown in black and white; the harsh reality around him is shown in all its colorful glory. However, as the movie progresses, Santiago's inner thoughts start to confuse with reality. It gets to a point that Santiago is speaking his mind freely to people without filtering his words for any political correctness. Right from the film's start, we know that Santiago is on edge; he is waiting to burst and destroy everything around him. His troubled and abusive family does not help in calming his nerves either. And then he snaps. But can he differentiate between thought and action?

Bolivia:

A month ago I had not seen any films from Bolivia. And now, I have seen three. Two from Rodrigo Bellott (Dependencia sexual & Who Killed the While Llama?) & American Visa. But it is Bellott's 2003 film that was my first choice for the Bolivian entry.

Sexual Dependency is an interesting look at 5 stories about teenage/youth sexual experiences in Bolivia and the USA. The stories are linked nicely in a surprizing manner. The film's opening scene focuses on an underwear billboard at a street intersection. The billboard poster, with one male model and two blondes, paints to an image of perfection. We then see separate teenagers who run into each other at that intersection and are gradually introduced to each of their lives. Each of them has a sexual experience that is not pleasant at all, whether it is a painful first time, a rape or abuse. The film tries to explore a modern generation's complications and confusions. We also see how a Bolivian stud gets completely lost in an alien and hostile American city. Each youngster realizes something about themselves and undergoes plenty of grief, all in the name of sex. And then when everything is shockingly reveled, we truly see how hollow that billboard was at the start of the film.

The film employs experimental camera angles, with split screens being the most common one. Unfortunately, the split camera angles does not add much in most scenes and seems like a distraction.

Venezuela:

Venezuela are the hosts for this year's Copa but no one is expecting them to do anything. In fact, they have only won one previous game in the Copa America's history and that was against Bolivia. They nearly managed a win on June 26, but Bolivia scored a late goal to tie the game up 2-2.

When it comes to movies, the previous Venezuelan films I have seen have only focused on the country's drug and crime situation. So it was refreshing to see a tender story in Oriana.

At the start of the film, we see forbidden love forming but a young rich girl and a servant boy. But with a click of the camera, that story vanishes. The movie then picks up a few decades in the future, when a grown up woman (Marie) returns to her family's abandoned estate in Venezuela. There she starts to uncover the story of her dead aunt and a hidden secret. The film is tenderly paced and grew on me as it went along. The emotional ending is not unexpected but has a haunting effect.

Final Group A Standings:


Uruguay wins the group and advances along with the Peruvian film. The Venezuelan entry is eliminated. But the Bolivian film has a very good chance to take one of the two third best spots.

Bollywood Break

Watching a handful of Bollywood films made for a good break between seeing Eastern European and South American films. It was also interesting to see what new trends were available from the Mumbai film machine. While there were films which showed plenty of promise and potential, the overall end product was infuriating.

Life in a Metro (2007, Director Anurag Basu): Rating 7.5/10

While I had the biggest hope from this film, it ended up being a major disappointment. Anurag tries to juggle multiple stories in the pulsating city of Mumbai but his stories are nothing but lukewarm. The stories are only preoccupied with love and sex -- who is getting it, who is not getting it and who is chasing it. From a strong cast of Konkona Sen Sharma, Irfan Khan, Dharmendra, Shilpa Shetty, Shiney Ahuja, Kay kay Menon & Kangana Ranaut, it is only Irfan Khan and Shilpa Shetty that shine. It is clear that effort is made to make Shilpa look simple and pretty in every frame. Her character's affair with Shiney's character had moments of tender seductiveness, while Irfan and Konkana put on the most humble love story. The rest of the stories artifically try to capture the modern beat of a fast paced society preoccupied with sex, money and power.

After four films it is becoming apparent that Kangana can't act. As much promise she showed in Woh Lamhe, she seems to be repeatedly playing a suicidal woman character. Anurag Basu directed her to fame in Gangster so he has decided to repeat some camera angles for this film as well. Unfortunately, they look fake and tired. And the most annoying aspect of the film are the annoying songs with the music band un-necessarily popping up in different street corner belting out tiresome melodies.

The biggest positive is Bobby Singh's beautiful cinematography. He has captured the beauty of the complex city in both night and day -- showing identical shots of certain streets fading from night time to morning look appealing. Also he has lit plenty of scenes effectively, especially the bedroom scene between Shilpa and Shiney -- Bobby uses bright neon red lights from outside to light up the room to frame the seductive scene.

Honeymoon Travels Pvt. Ltd. (2007, Director Reema Kagti): Rating 6.5/10

Once Bollywood latches onto a trend, it keeps rehashing it for years on end. The current trend is showing multiple love stories in a single movie. While Life in a Metro & Salaam-E-Ishq tackled those differently, Honeymoon Travels.. is similar along the lines of Just Married in displaying multiple couples on a Honeymoon trip. Just Married focused on one main couple and had the other couple's stories as side interactions. Whereas Honeymoon Travels.. jumps in with 6 equal relationship tales.

A strong cast of Ranvir Shorey, Boman Irani, Shabana Azmi, Kay Kay Menon is never really given enough screen time to really shine. The only one who steals the show is Raima Sen whose perfect expressions are mesmerizing; also her character is the only who truly undergoes a major transformation. There are moments of brilliance in the film, especially with some of the flashback stories shot in black and white. While the film does a great job of incorporating a sci-fi super hero story in the mix, it cuts it too short to make a lasting impression.

Ek Chalis Ki Last Local (2007, Director Sanjay M. Kanduri): Rating 7/10

What a night Nilesh (Abhay Deol) has. He misses the last 1:40 am train, meets a pretty girl, accidentally kills a gangster, wins plenty of rounds in gambling, comes across millions in cash and then almost loses it all. Along the way, he is almost raped and even killed -- all in a span of 2 hour 30 minutes! But poor dialogue and stereo-typical characters ruin this film. The only positive is Abhay Deol who has this refreshingly innocent look which is convincing and works well for his character.

Kya Love Story Hai (2007, Director Lovely Singh): Rating 4.5/10

This love story has nothing new to offer. The story is set in South Africa which means the film-makers can include a few stereotypical South African characters and make fun of them. The acting is awful and the screenplay is non-existent. The only good thing is the catchy Kareena Kapoor song at the start of the film. It goes downhill from there. Tusshar Kapoor is a nice likeable actor and makes watching this film bearable in parts.

Salaam Namaste (2005, Director Siddharth Anand): Rating 5.5/10

Boy meets girl,boy moves in with girl, they fall in love and have sex. She gets pregnant and then complications start. While there are moments of humour in the film thanks to the cool acting of Saif Ali Khan & Arshad Warsi, overall this is an overly melodramatic flick. Virtually every dialogue is over the top and a majority of the scenes are forced to induce humour.

Neal 'N' Nikki (2005, Director Arjun Sablok): Rating 3/10

Seriously bad cinema!! Uday Chopra still can't act and newcomer Tanisha has nothing to offer except shots of her over-exposed body -- even when she wears a dress or a Sari, the director has ensured that we can still see everything through her thin clothing. The film gives the impression that every woman in Vancouver is dying to have sex and willing to throw herself at the first idiot, which happens to be Neal (Uday). Mercifully, the film is just over 90 minutes and not the usual 2-3 hour Bollywood film.

Shakalaka Boom Boom (2007, Director Suneel Darshan): Rating 3.5/10

A movie about talented music composers should atleast feature extraordinary music. Besides a decent catchy title track, the rest of the music is plain bad even by Bollywood standards. The acting is laughable and the story is plain silly.

Eastern Europe, part III

Part I -- Collapse, Part II -- Immigration and displacement and now Part III starts off with rebuilding....

Democracy and Rebuilding:

Part of a nation's rebuilding involves fresh elections and getting a new leader in power -- democracy is seen as the magic solution to cure all problems. But democracy can be ripe for corruption if a few people are not kept in check.

Orange Revolution (USA, 2006, Director Steve York): Rating 7.5/10

This insightful documentary gives us a behind the scenes look at what really happened with the Ukrainian elections in 2004. When the final results didn't tally with exit polls, something appeared to be wrong. And then when word got out that votes were stolen and tampered with, the people were outraged. But can people change the course of a robbed election? It seems that such was the case in Ukraine after more than a million marched the streets of Kiev to strike a change.

Unfortunately, the current political situation in Ukraine is no better. What looked like the right option in 2004 didn't turn out to be so good. But atleast, history will record that for once the people made a difference. And interestingly, one citizen in the film points towards the American elections and that George Bush was not asked to give back his presidency after records of incorrect votes were found. So in that regard, it is a pleasure to watch Katy Chevigny's 2007 US doc Election Day about the 2004 American Elections. By simply placing the camera around various election booths and by following a few poll monitors, we can decide for ourselves if the American voters are being influenced indirectly. Both documentaries are American but amazingly, it is the Eastern European nation where people's choice prevails despite a complete blockade of free press and media.

Everyday Life:

Do you Remember Dolly Bell? (1981, Serbia, Director Emir Kusturica): Rating 8.5/10

An absorbing coming of age love story set against the backdrop of Sarajevo. A young man falls for his friend's supposed girlfriend and tries to save her when she is forced into prostitution. But the young man's life is further complicated by his father's illness and lingering political ideologies which hover over their household. Another gem from Kusturica!
Camera Buff (1979, Poland, Director Krzysztof Kieslowski): Rating 9.5/1
A brilliant film about the infectious love of film-making! Filip buys a camera to capture the birth of his new baby. However, the 8 mm changes his life more than the baby does. Filip is asked to film an office party because he is the only one with a camera. When his amateur film about the party gets an award at a film festival, he is encouraged to film "everything that moves". But Filip learns that filmmaking can be a very complicated and political process. A beautiful film that looks at the power of film to create and to destroy lives. Vintage cinema.....

And the music turns to chaos:

Werckmeister Harmonies (2000, Hungary, Directors: Béla Tarr / Agnes Hranitzky): Rating 8/10

Once again, music is a theme that closes the Eastern European cinematic look. A town's beautiful harmonical balance is disturbed when a mysterious circus arrives in town -- the presence of a giant whale and a character called "the prince" causes unrest and anxiety in the town. An evil force takes over and ordinary people riot causing havoc. The army is called in and special "lists" are made to capture certain people.

The gorgeous rich black and white visuals combined with long takes makes for an absorbing foray into a bizarre world crafted by Béla Tarr. Plenty of political under-tones can be found in this film which presents a look at how people can take advantages of certain situations and assume power. But are the ones in power the crazy ones or the people causing the riots? In that sense, the film's ending has shades of the Czech film Lunacy which raised an interesting question about whether the insane people are not the ones in the hospital but the ones in charge of running the asylum.

The beautiful music is over. Discord tunes fill the air waves. And once again, after a long period of peace, chaos returns.....

Genius has left the country....

Sigh. What a friday!! June 22, 2007. The day when a year long rumour was hours from becoming a reality -- Thierry Henry was on the verge of being snapped up by Barcelona.

And today, it was official. The greatest player in the modern game has now left Arsenal for the passionate theatre of Nou Camp.

Here's to Thierry Henry, the passionate artist who wore his heart on his sleeve. He crafted goals out of nothing and was never afraid to show his emotion. Yes, he sulked at times and even let his head drop on the odd occasion but then in an instant, he burst forward to rip defenses apart and claim victory for the Gunners. It was refreshing to see him take a stand for what he believed in and even challenging the incompetent decisions that existed around him.

The following are just a sample of some brilliant Henry pics on Soccernet (Getty Images).

The first is from that legendary 2002 season when Henry led Arsenal to an amazing league and cup double:


This is the picture after Henry scored the only goal to beat Real Madrid in Spain. Vintage Henry...


And now the new era starts. Henry in Barcelona.....

Global Viewing

Spies -- Espionage. Men in hats. Trench coats. Secret codes. The chair.
Time -- Love. Beauty. Endless cycle. Death. Rebirth. Transformation.
Dreams -- Hope. Poverty. Corruption. Power.
Revolution -- Oppression. Opposition. Fight. Freedom.

Spies:

Army of Shadows (1969, France, Director Jean-Pierre Melville): Rating 10/10

Men in trench coats wearing black hats moving silently through the night. A leak and a resistance personnel is arrested. Plans are formed to rescue him. Information, counter-information, lies and more plans. If there was a way to perfectly capture the danger and intrigue of a spy film, Jean-Pierre Melville did it. The posters show a man tied up on a chair. Yes that was how spies were tortured back then (or still are?). The chair is a lasting image. So is the darkness which highlights the clandestine movements involvement. The setting is World War II and the struggles of the French resistance to advance their cause. The lighting, atmosphere, acting, sound are all pitch-perfect, in tune. The tune being that of a captivating thriller which achieves moments of high tension with bare minimum action.

The Good Shepard (2006, Director Robert De Niro): Rating 8/10

Spies again, but this time on the other side of the ocean. How did the CIA start? Who were the men who lurked in the shadows quietly whispering instructions on the phone to carry out the operation? We get brief glimpses into a world constructed by men. A world where there is no room for emotions and the only currency is information. Money, power, friends, enemies all can change hands as long as it for the good of the nation. Each man has his weakness, be it family or even chocolates. And it is these flawed men who decide the good of a nation.

There are moments of beauty in this film, especially the initial scenes of Yale's "skull and bones" society, spying during World II and some of the father-son relationship scenes. Unfortunately, the movie is completely devoid of any emotion and moves coldly from scene to scene. Even though some of the scenes require a shout or a scream, the film muffles everything away. Nonetheless, still a worthy watch. And just like in Melville's film, a chair is also present in this movie. A Russian spy is tied up and beaten just to get the truth out. Even though the man may be telling the truth, he is beaten. Why? Because sometimes the only truth is the version the men in power want to hear. Anything else is a lie.

Time:

Time (2006, South Korea, Director Ki-duk Kim): Rating 8/10

Perfect beauty, the all demanding quest. Will perfection result in happiness and endless love? Even though the answer is obvious but humans still cling onto that dream. Such is the case with the main female character in Kim Ki-duk's latest film. At the start of the movie, we see a woman being cut open and transformed into a beautiful person thanks to the miracles of plastic surgery. The entire process is an ugly one and we are given a front row seat in the operation room to witness the surgery. But it takes about 6 months for the face to be fully healed. Until then, the woman has to cover herself and hide her scarred face from the public. After the surgery, the woman leaves the surgeon's office with her face covered carrying a picture of her old ugly self. A young sweet looking girl, Seh-hee, crashes into her and causes her picture to fall to the ground breaking the frame. See-hee is apologetic and runs to get the frame fixed. But the masked woman does not wait and leaves the scene. From then on, we get a look into See-hee's life. She is dating a handsome man, Ji-woo. Even though See-hee has him to herself, she can't help get jealous over his wandering eye -- everytime Ji-woo talks to a another woman, she gets angry. Unsure about her beauty, she goes to get her face altered. As part of her rebirth, she disappears from Ji-woo's life for 6 months ago.

The sudden disappearance of See-hee causes Ji-woo some grief. After a period of 6 months, the newly touched up See-hee surfaces. But Ji-woo does not recognize her. So she goes about enticing Ji-woo and tries to erase his memories of the old See-hee. But much to her dismay, Ji-woo is still in love with the old See-hee. She is stuck in a lose-lose situation, because if he can't love the new See-hee, then her transformation was a failure. And if he does love the new look See-hee, that confirms her old fears about him not wanting the sweet old self.

But things are not as straight forward as they seem. The concept of time is an important factor in the story. We are given clues from the start that we might not be getting the linear story we are seeing. Sure enough, a rift in time occurs when Ji-woo disappears himself in order to get revenge on See-hee -- he goes to get surgery done on his face as well in order to balance out See-hee's transformation.

In the past, Kim Ki-duk focussed on individual human flaws. Films like Bad Guy, The Bow, 3-Iron, Spring, Summer.. had a touch of spirituality to them as the movies explored human weakness. This time around, he dispenses with spirituality and takes a stand against a society which places beauty over all other values. When humans chase only beauty, they lose a sense of themselves and ultimately spiritual connection. In that regard, the film's most memorable elements are 'space' and 'cleanliness'. Everything is framed in such a manner to give each character the maximum space which only heightens their sense of isolation. And everything appears white and pristine, as if life is completely clean. But by showing the ugliness that hides beneath the surface, we also get a sense of how false and illusionary the appearances are.

This intense yet elegantly balanced film is probably Kim Ki-duk's most accessible film. And the on screen beauty balances out any of ugly human nature on display.

The Fountain (2006, Director Darren Aronofsky): Rating 7/10

Time, Space, Science, Myth and belief. It is easy to admire the visual beauty of Aronofsky's feature but does it matter really? Despite carefully balancing fiction, myth and science into a concise feature, this meditative look at immortality and death feels as a wasted effort.

Izzi is dying of brain tumor and her husband is furiously working on a cure for her. But despite his best efforts, time claims his wife. He won't accept her death and works on trying to rescue her soul. As part of this journey, he has to finish her novel about the Spanish quest for the tree of life deep located deep within ancient Mayan culture. Yet the husband's journey feels like an empty contrived quest. In the DVD extras, Aronofsky indicates how the original production ran into complications and was initially shut-down. Then due to budget restrictions, the script was hashed and narrowed to fit a frame of an independent film. Which explains why the movie feels like a short story stretched slowly into a feature film length.

Acidente (2006, Brazil, Director Cao Guimarães, Pablo Lobato): Rating 7/10

This visually stunning documentary proves that beauty can be found in stillness. The filmmakers travel through 20 poetically named cities in the Brazilian state of Minas Gerais and capture everyday events. Long, interrupted camera shots document the unexpected beauty of everyday life. However, the minimalist & experimental approach gets tiring and frustrating over the 72 minute long length. Still a film that might be appreciated in limited doses in film festivals around the world.

Dreams:

On the Wings of Dreams (2007, Bangladesh, Director Golam Rabbany Biplob): Rating 9/10

This charming film illustrates how simple lives can be tranformed by the lure of money. When a simple and poor family comes across some foreign currency, they start dreaming of a better life. With those dreams come stressful complications and behaviour changes. Loved ones become estranged and strangers become desirable companions. Simple but relevant cinema!

American Visa (2006, Bolivia/Mexico, Director Juan Carlos Valdivia): Rating 6.5/10

This co-production shows how dreams of the promised land make an educated, intelligent person lose all reason and commit crimes! Mario Alvarez wants to leave his teacher's job in Bolivia and settle in the US with his son. But he does not want to officially immigrate to the US. His plan is to get a tourist visa and then become an illegal alien. When his visa application is rejected, he becomes desperate and willing to go to any lengths to secure his ticket out of Bolivia. Things get complicated when he comes across a stripper who falls in love with him.

The acting is good and La Paz is beautifully captured on camera. But the story is flawed and needless dramatic scores are scattered throughout the movie. Still, a decent watch.

Deserto Feliz (2006, Brazil, Director Paulo Caldas): Rating 7/10

Sao Paulo -- Crime, prostitution, poverty and dreams. Dreams of a better life away from the cramped residential flats. Despite an array of smart camera angles, this is another in a long line of Brazilian films rehashing the same topics of prostitution.

Revolution:

Hellfighters (2007, USA, Director Jon Frankel): Rating 8.5/10

An insightful and powerful documentary about the struggles and hopes of Harlem's first ever high school football team. The film takes an objective look at the team's season and shows how both internal and external forces only add to the team's woes.

The Fists of a Nation (2007, Panama, Director Pituka Ortega-Heilbron): Rating 8/10

When a nation is constantly oppressed and its people have no hope of freedom, sports can play an important part in giving these people renewed belief. When people hear of Panama, they only think of the "canal". But the canal's ownership (prior to the 1999) with the US was a constant thorn in the people's eyes. No matter how hard they tried, Panama could not rid themselves of the American powers. So it was with relief that the nation was overjoyed when local boxing newcomer Roberto Duran took on the American boxing star Sugar Ray Leonard and defeated him. The boxing match had consequences more important than a mere sport and Roberto's powerful punches lifted the spirits of an entire nation. The film shows Roberto's rise and eventual decline of power while also highlighting important political moments in Panama's history.

Tambogrande: mangos, murder, mining (2006, Peru, Director Ernesto Cabellos & Stephanie Boyd): Rating 7/10

North American corporations are busy carving up South America and stealing those countries natural resources. If it were not for a few documentaries, most of these crimes would go by un-noticed. Tambogrande joins a list of previous such eye-opening films and highlights land crimes in the Tambogrande region of Peru where a Canadian company wants to start a mining pit. The region's history, the people's struggles, the political corruption that exists and the power of money are all documented. The film also shows that if people are not willing to stand up and fight for their rights, they will get rolled over. Sometimes, just sometimes, ordinary people can actually make a difference against big money.

House-warming party (2006, Brazil, Directors Toni Venturi and Pablo Georgieff): Rating 8/10

A hard hitting look at the housing problem in Sao Paulo. The title refers to an activist group's idea about taking over empty vacant buildings in order to draw attention to their cause. Eventually after the police and media arrive, the group peacefully leave the building. Through this simple act, they have managed to get the government to provide some housing to the countless people living in slums while hundreds of buildings lie unoccupied and used. However, many more people live in substandard conditions. What do the people dream about? A house of their own with enough food to eat. But unless the people fight, they won't ever get their dream to come true because the rich don't care and the government does not have time.