Pages

Monday, October 12, 2015

The Red Balloon

The Red Balloon (1956, France, Albert Lamorisse)


A balloon floating up in the sky still manages to catch everyone’s attention! Some will express sadness at seeing the balloon floating away, at the thought that there is a child nearby who is crying at seeing their precious balloon fly away. Despite all the technological advancements and flashing gadgets we have in society, a balloon is still an essential part of a child’s life. No birthday party would be complete without the presence of balloons. In fact, balloons complete a birthday party. This love of balloons would have made Albert Lamorisse’s The Red Balloon an easy film to be included in a childhood countdown. However, the film is present on merit in the Wonders in the Dark Childhood Countdown because it is more than just about a balloon. In its short running time of 35 minutes, The Red Balloon encapsulates all of life, including all emotions associated with a child’s growth from an early age to that of a teenager. More importantly, the film’s style, without dialogue, and story make this a timeless work that is also the purest form of cinema. The film is a beautiful blend of documentary, art and commercial cinema. In addition, the template for many contemporary films, including Hollywood animation movies, can be traced all the way back to Lamorisse’s beautifully conceived short film.


Sunday, August 09, 2015

Wild Card

Wild Card (2015, USA, Simon West)


Wild Card went straight to VOD and had a limited theatrical release. It was universally slammed by critics. However, it is not as bad as all the reviews make it out to be. Even though, the film cannot be salvaged under the "Vulgar auteurism" tag, there is some merit when viewed in a different light, which is a straight up B-movie. Put simply, Wild Card is a solid B-Movie. The film doesn't present any new ideas as that is not its intention. Instead, the film performs a worthy correction to the recent fun image of Las Vegas by taking the city back to its original depiction of misery, sadness. It does so by packing the material with all the cliches, symbols associated with Las Vegas, a city which relishes in celebrating all the vices of humanity.

Beneath all the lights and glamour of Las Vegas, there is an inherent sadness and depression that was famously captured by Mike Figgis’ 1995 film Leaving Las Vegas. In that film, the character of Nicolas Cage and Elisabeth Shue perfectly depicted the hopelessness and circle of misery that the city inflicts on people. However, in recent years, that depressive side has been replaced by a fun side. Ocean’s Eleven (2001) turned Vegas into a light hearted fun background while Knocked Up (2007) included some good deal of humour when Paul Rudd’s character is obsessed with the different kinds of chairs in his Las Vegas room. Then The Hangover (2009) truly celebrated the drunkenness that comes with sin city. Wild Card tilts the pendulum back to that miserable side of Las Vegas that Mike Figgis showed. However, Wild Card layers this misery with some action, humour and even fun. There are characters one would expect to see in Las Vegas and scenarios which are commonplace. However, at the core, Jason Statham’s character of Nick Wild is a similar to that of Nicolas Cage’s Ben Sanderson from Leaving Las Vegas with one big difference. Cage’s Ben Sanderson wanted to end his life in misery. While, Nick Wild recognizes his miserable state yet like Sisyphus accepts his fate. Wild knows he is stuck in Vegas and no matter what he does, he cannot leave the city. So he lives with his misery yet manages to smile and continue on with this life. He has no desire to kill himself but is willing to be stuck in an endless loop of misery that Vegas brings. In a sense, Wild Card is Leaving Las Vegas with some optimism thrown in.




Saturday, July 04, 2015

Top Childhood films

The Top Childhood films countdown has begun at Wonders in the Dark. Essays of the Top 83 films will be posted from June - October 2015.  As per the ballot rules, films where the character's age fell between 1 - 18 years were eligible for consideration. Such a broad age gap certainly made for some challenges in coming up with a list because a like for like comparison is not feasible between films where the main character is under 10 years of age compared to films where the main character is a teenager. Therefore, I came up with my own criteria when submitting a ballot of the Top 60 films. I decided to place films where the main character was a teenager near the end of the list and opted to have films with younger characters closer to the front. There were some exceptions but I tried to maintain this distinction.

Here is my Top 60 Childhood films ballot submitted to Wonders in the Dark:
  1. The 400 Blows / Les Quatre Cents Coups (1959, France, François Truffaut)
  2. Pather Panchali (1955, India, Satyajit Ray)
  3. The Red Balloon (1956, France, Albert Lamorisse)
  4. To Kill a Mockingbird (1962, USA, Robert Mulligan)
  5. I was Born, But... (1932, Japan, Yasujirô Ozu)
  6. The White Balloon (1995, Iran, Jafar Panahi)
  7. The Bicycle Thieves (1948, Italy, Vittorio De Sica)
  8. Naked Childhood / L'enfance nue (1968, France, Maurice Pialat)
  9. Where is the friend’s home? (1987, Iran, Abbas Kiarostami)
  10. The Kid with a Bike (2011, Belgium, Jean-Pierre Dardenne/Luc Dardenne)
  11. Mouchette (1967, France, Robert Bresson)
  12. Cinema Paradiso (1988, Italy, Giuseppe Tornatore)
  13. Good Morning (1959, Japan, Yasujirô Ozu)
  14. Yi Yi (2000, Taiwan, Edward Yang)
  15. The Night of the Hunter (1955, USA, Charles Laughton)
  16. Kes (1969, UK, Ken Loach)
  17. The Kid (1921, USA, Charlie Chaplin)
  18. A Brighter Summer Day (1991, Taiwan, Edward Yang)
  19. The Spirit of the Beehive (1973, Spain, Victor Erice)
  20. Hope and Glory (1987, UK, John Boorman)
  21. Cria Cuervos (1976, Spain, Carlos Saura)
  22. The Long Day Closes (1992, UK, Terence Davies)
  23. Crows (1984, Poland, Dorota Kedzierzawska)
  24. My Childhood (1972, UK, Bill Douglas)
  25. Rosetta (1999, Belgium, Jean-Pierre Dardenne/Luc Dardenne)
  26. My Neighbour Totoro (1988, Japan, Hayao Miyazaki)
  27. Germany, Year Zero (1948, Italy/West Germany/France, Roberto Rossellini)
  28. An Inn in Tokyo (1935, Japan, Yasujirô Ozu)
  29. Zero for Conduct (1933, France, Jean Vigo)
  30. Aparajito (1957, India, Satyajit Ray)
  31. Nobody Knows (2004, Japan, Hirokazu Koreeda)
  32. Fanny and Alexander (1982, Sweden, Ingmar Bergman)
  33. The Tin Drum (1979, West Germany, Volker Schlöndorff)
  34. The Last Picture Show (1971, USA, Peter Bogdanovich)
  35. Ghost World (2001, USA, Terry Zwigoff)
  36. Lord of the Flies (1963, UK, Peter Brook)
  37. Pixote (1981, Brazil, Hector Babenco)
  38. The Childhood of Maxim Gorky (1938, USSR, Mark Donskoy)
  39. Los Olvidados (1950, Mexico, Luis Buñuel)
  40. Au Revoir Les Enfants (1987, France/West Germany, Italy, Louis Malle)
  41. The Apple (1998, Iran, Samira Makhmalbaf)
  42. Ivan’s Childhood (1962, USSR, Andrei Tarkovsky)
  43. Spirited Away (2001, Japan, Hayao Miyazaki)
  44. Blood / O Sangue (1989, Portugal, Pedro Costa)
  45. Mon Oncle (1958, France/Italy, Jacques Tati)
  46. Aniki Bóbó (1942, Portugal, Manoel de Oliveira)
  47. I Killed My Mother (2009, Canada, Xavier Dolan)
  48. Let the Right One In (2008, Sweden, Tomas Alfredson)
  49. Fat Girl (2001, France/Italy, Catherine Breillat)
  50. Beijing Bicycle (2001, China, Xiaoshuai Wang)
  51. Grave of the Fireflies (1988, Japan, Isao Takahata)
  52. Dead Poets Society (1989, USA, Peter Weir)
  53. Taare Zameen Par (2007, India, Aamir Khan/Amole Gupte)
  54. Halfaouine: Child of the Terraces (1990, Tunisia/France/Italy, Ferid Boughedir)
  55. Mon Oncle Antoine (1971, Canada, Claude Jutra)
  56. I Wish (2011, Japan, Hirokazu Koreeda)
  57. Show me Love (1998, Sweden/Denmark, Lukas Moodysson)
  58. A Summer in La Goulette (1996, Tunisia/France/Belgium, Ferid Boughedir)
  59. Rebels of the Neon God (1992, Taiwan, Tsai Ming-liang)
  60. Kids (1995, USA, Larry Clark)

Monday, January 26, 2015

Copa America 2015

Copa America 2015 is set to be one of the most promising football tournaments in history because for the first time neither Brazil or Argentina are playing the most exciting football in South America. Instead, the hosts Chile and Colombia are the nations playing a high tempo pulsating brand of football. The excellence of their game makes it hard to believe that neither Chile and Colombia could beat a very average Brazilian side in the 2014 World Cup. However, Copa America 2015 should offer both nations a chance at redemption. Although, it shouldn’t be forgotten that in Copa America 2011, all the top 4 seeded teams, Brazil, Argentina, Chile and Colombia, got knocked out in the quarter-finals to Paraguay, Uruguay, Venezuela and Peru respectively. Such results only highlight that the gap between all 10 South American nations has been reduced over the last two decades. The defending champions Uruguay will once again be looked to play the role of villains although FIFA have ensured they won’t pose much threat as Luis Suárez is still banned. Mexico are again invited and will do their best to give the South Americas a tough test while Jamaica make their Copa America debut.

As per tradition, there will be Copa America 2015 Film and Book spotlight to go along with the soccer tournament. There will be 1 film and 1 book selected from 11 of the nations while the hosts Chile will have 3 films and 2 books selected. The reason Chile gets more representation is to ensure the hosts are given a better look. In the past, there were no underlying threads connecting the different selections but this time around, the decision was made to go with a distinct political tone. This ensures Copa America 2015 will be the darkest and most radical soccer film/book spotlight in the almost decade long duration of these soccer tournaments.

Chile (host nation)

Film #1: The Battle of Chile, parts 1-3 (1975-79, Patricio Guzmán)
Film #2: The Dance of Reality (2013, Alejandro Jodorowsky)
Film #3: To Kill a Man (2014, Alejandro Fernández Almendras)

Book #1: 2666 by Roberto Bolaño
Book #2: My Tender Matador by Pedro Lemebel

Argentina

Film: The Hour of the Furnaces (1968, Octavio Getino/Fernando E. Solanas)
Book: Confessions of an Argentine Dirty Warrior by Horacio Verbitsky

Bolivia

Film: Who Killed the White Llama? (2007, Rodrigo Bellott)
Book: The Fat Man from La Paz, fiction collection edited by Rosario Santos

Brazil

Film: Noite Vazia (1964, Walter Hugo Khouri)
Book: Blues for a Lost Childhood by Antônio Torres

Colombia

Film: Greetings to the Devil (2011, Juan Felipe Orozco)
Book: Liveforever by Andrés Caicedo

Ecuador

Film: The Death of Jaime Roldos (2013, Lisandra I. Rivera/Manolo Sarmiento)
Book: Wolves' Dream by Abdon Ubidia

Jamaica

Film: The Harder They Come (1972, Perry Henzell)
Book: John Crow's Devil by Marlon James

Mexico

Film: El Alcalde (The Mayor) (2013, Emiliano Altuna)
Book: The Uncomfortable Dead by Subcomandante Marcos and Paco Ignacio Taibo II

Paraguay

Film: 7 Boxes (2012, Juan Carlos Maneglia/Tana Schembori)
Book: I, the Supreme by Augusto Roa Bastos. Repeat selection from Copa America 2011

Peru

Film: La Boca del lobo (In the Mouth of the Wolf) (1988, Francisco J. Lombardi)
Book: The War of the End of the World by Mario Vargas Llosa

Uruguay

Film: Tanta Agua (2013, Ana Guevara/Leticia Jorge)
Book: El Infierno by Carlos Martinez Moreno

Venezuela

Film: God's Slave (2013, Joel Novoa)
Book: Doña Barbara by Rómulo Gallegos