Amma Ariyan (Report to Mother, 1986, India, John Abraham)
My selection for the 6th AFOFF is inspired by Allan’s incredible ‘The Fish Obscuro’ section. I always used to look forward to see what film Allan would post about in this section. Often, the titles were discoveries for me as I hadn’t seen the film or had only heard about them. Allan also included how he saw the film (DVD2, DVD1, not on DVD) and that highlighted the lack of proper distribution for many films he was seeing. Over the last few years, we have had many more streaming options to see films yet distribution of many foreign films still remains a problem. Case in point, John Abraham’s 1986 film Amma Ariyan (Report to Mother).
Abraham’s name is vital when discussing India’s Parallel Cinema even though he only directed four features and tragically died at a young age of 49 in 1987. However, I hadn’t seen any of his four features and never came across a DVD/Blu-Ray of his films. That changed over the last 2 years when I finally saw his last film via the link posted below. Incidentally, Amma Ariyan also received a proper screening in 2021 via Bologna’s Il Cinema Ritrovato festival in a special section on Parallel cinema curated by Shivendra Singh Dungarpur, Cecilia Cenciarelli and Omar Ahmed.
On paper, the story of Amma Ariyan is simple but the brilliant execution is what makes this film stand apart. In the film, Purushan (Joy Mathew) is a young man on his way to Delhi to pursue a better future when he comes across a dead body that the police say is unidentified. Purushan can’t get over the sight of the dead body and feels the face is familiar. So he postpones his journey to Delhi and goes about trying to identify who the person is. His quest leads him to meet people from all walks of life, including musicians, theatre artists, who end up helping identify the deceased as Hari, a tabla player. Purushan wants to travel to Kochi (formerly Cochin) to inform Hari’s mother of his death. He is accompanied by all the different people who helped confirm Hari’s identity. Thus begins a road journey unlike any other where people who have nothing in common work together towards a common end goal.
The film’s structure consists of multiple flashbacks where each person sheds a little more light on Hari’s past and that helps piece together events that preluded Hari’s death. The story is set against the backdrop of the Naxalite movement in Kerala when police tortured and beat up youth. The details of the political ideologies and struggles aren’t spelled out but the omission of details works in the film’s favour as that lends the material a universal flavour. Multiple countries, including those in our contemporary times, have cases of police abusing their power and beating up innocent people based on differing political ideologies. In that sense, Amma Ariyan is powerfully relevant to our current world.
The community nature of the film also has relevance in our current world. In the film, all the people who help identify Hari form a community and drop everything to go inform Hari’s mother. They want to do their part in helping out in whatever manner they can and share the grief of Hari’s death. The film’s ending features an emotional walk of the group including the mother. Over the last few years, we have seen many movements where people from different backgrounds have come together to share in a common sense of loss. Even in social media retweets or reposts of a tragedy are one form of people sharing in someone’s loss.
Amma Ariyan (Report to Mother) floored me, emotionally and technically. Technically, the film stands apart from other Indian films I have seen. Renowned film scholar Dr. Omar Ahmed notes the non-Indian influences on the film:
With the extreme wide-angle shots, a liberated camera continually on the move and a quasi-documentary aesthetic, John’s style recalls the Latin American Third Cinema of the 1960s (especially Mikhail Kalatozov’s Soy Cuba) manifesting a creative hybridity in which indigenous film practices and modernist cultural sensibilities intersect with broader international influences. -- BFMAF
I can’t imagine how such a precious film did not get proper distribution earlier. For now, I hope more people can view this film and appreciate what it has to offer.
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