The rich strange doctor

Doctor Strange (2016,  Scott Derrickson)
 
An arrogant rich man lives selfishly and feels he is invincible. One day, his reckless driving causes him to get into an accident. This accident does not cause him to do any soul-searching. Instead, he blames everyone else around him for not helping him. He has enough money to pay for his treatment but when his money runs out, he blames the health system. Then, he learns that he can be cured by Asian medicine. So he travels to exotic Nepal. There, he finds others like him. He never associates with the locals, nor eats with them. He is cured and in turn he learns how to travel around the world for free. He learns how to travel without going through airport security or sitting in an airplane. He also learns how to steal books from libraries.

He is given a gift for being selfish. Then, he is given a chance at redemption, to erase his entire selfish life by one act of goodness. He saves the world and is made an instant hero.

How does he repay the world? Does he help the poor and needy? Does he start a company to offer health services to those who need it?

Of course not! He opens a private service to help rich privileged super heroes like himself. His first job is to act as a mediator in a family despite between Thor and his brother.

Dunkirk

Dunkirk (70 mm, of course): deserted town. No civilians. Just soldiers. Why? Because a war is being fought. Money and resources poured into saving the land from the other. And then, more money to get soldiers back home and to feed them.

The film is an immersive experience that places the viewer in the chaos and noise of war but there are some moments which quietly highlight the logistics around war that are not as apparent in other war movies. These moments are the best aspect of the film as they emphasize that when WWII took place, nations and cities shut down. Daily lives were disrupted and resources were diverted towards the all consuming war. Regular industries were converted into making gears for war. However, these quiet moments won’t be praised. Instead, the accolades will be directed at the thrill ride that has been made, complete with a video game perspective, a ticking clock embedded in the soundtrack with a few edits meant to heighten the experience. Real lives were lost but now it is entertainment. In the IMAX cinema screening, people stuffed their face with popcorn, drank pop and took it all in.

Have we learned anything from history? Of course, not. And on it goes. Real wars continue, more horrific than the past. War movies get made. Their technical qualities improve, their point of view gets refined but no one actually cares for the lessons that lay between the cuts. No large scale war has taken place since WWII but many small scale wars have taken place and are continuing to do so. The machines that were put in place in WWII were never shut down but grew into different segments.

Golaso

For the most part, it was a lackluster European season. There were limited moments of beautiful fluid football provided by players of Monaco and Dortmund. Then there was the emerging talent of Dybala who weaved around the pitch as if opponents didn't exist. With these exceptions, everything was as normal. Season after season, it has been all the same.

Then yesterday something extraordinary happened. Mario Mandžukić scored a goal for the ages. Not Ronaldo, not Messi. Mandžukić initially appeared to have blocked himself into a corner, with no angle to shoot at. Then he produced a moment of magic. His goal made it 1-1, opened the game up and led to a thrilling first half.

Mandžukić's goal is being called one of the greatest in the Champions League. It is being compared to that brilliant 2002 volley but it does fall short of that 2002 goal, which was scored by Zinedine Zidane. Yesterday, Zidane the manager, not the player, led Madrid to victory.

Not much is said about Zidane the manager. That is because he doesn't say much. He lets the players shine and quietly stands on the side. In a way, it is refreshing to see that from a soccer manager. Many other managers have made the game about themselves yet Zidane quietly leads his team to success.

Sid Lowe’s article sums up Zidane’s achievements nicely.

A New Dictator

History has shown that many dictators followed a similar pattern regardless of which country they lived in. The dictators were once seen revolutionaries and hailed as heroes. These revolutionaries promised to usher in a new bright future. However, after they were in power for a period of time, things began to change. The revolutionaries did not like any opposing voices and did their best to quieten any dissent by whatever means possible. Then, they slowly started consolidating power and eventually turned into ruthless dictators who did anything to ensure they could rule for as long as possible.

This is how dictators have been known to exist in the political world. The sporting world has been run differently, especially with regards to football/soccer managers. It has often been said that being a manager of a soccer team is one of the most stressful jobs there is. The Hungarian coach Béla Guttmann once famously said “the third season is fatal”. His words have proven true on so many occasions where diverse managers like Arrigo Sacchi, Pep Guardiola and Jose Mourinho have not stayed at a club beyond 3-4 years. Sacchi transformed AC Milan but left after 4 years. Guardiola stayed at Barcelona for 4 years and left Bayern Munich after 3 seasons. José Mourinho may have an incredible winning record but the strain on his face has been apparent after 3 seasons at most clubs. In his first stay at Chelsea, he lasted just a few months into his 4th season while in his second stay at Chelsea, he never finished the third season. Mourinho stayed at Madrid for 3 seasons while 2 each at Inter Milan and Porto. There are a few examples of managers who stayed for decades at one club such as Guy Roux who stayed at Auxerre for a staggering 44 years and oversaw the development of many young players. Then there is Alex Ferguson who famously stayed at Manchester United for 27 years and ensured his team were always winning a trophy. There surely won’t be any managers like Roux and Ferguson in the game anymore as the high pressures of the modern game ensures managers are never far from being fired from their job. It does feel like managers are just a few games from being fired and can’t ever get into a position where they wield complete control and get into a position of absolute power.

As always, there are exceptions. In North London, history is being written where the game’s first modern dictator has emerged. Arsène Wenger has now been manager of Arsenal for 21 years and he shows no sign of wanting to leave. He is one of the highest paid managers in the world for a club that charges some of the highest ticket prices (if not the highest) in Europe. Wenger has never won any European trophy (he has overseen defeats in the finals of Champions League, Cup Winner’s Cup, UEFA Cup) and has not won a league title in 13 years. On top of that, he has overseen humiliating defeats to Bayern Munich (5-1, 5-1, 5-1 for 3 straight games), Manchester United (8-2, 6-1, 4-0), Chelsea (6-0), Barcelona, AC Milan (4-0) to name just a few. Yet, there is no one in the Arsenal board, including the owner, who wants him to leave allowing Wenger to have absolute power. Any fans who oppose the manager are told to shut up and “support the team”. Articles are published which keep repeating that Wenger is the best person for Arsenal and that there isn’t any other manager who can do a job like Wenger. There is a clear split in the fan base where some fans are loyal to Wenger and others who want him gone. The situation at Arsenal resembles what happens in a nation ruled by a dictator where media publishes propaganda singing praises of their dictator, where opposing views to the dictator are shut down and loyalists of the dictator blindly support whatever decision the dictator makes. Of course, in a political dictatorship, the opponents are imprisoned or tortured or made to disappear. This doesn’t happen in the case of the soccer club where opponents are free to return to their homes or walk away from supporting their team. However, it is not easy to walk away from a team that supporters have cheered for decades.

There is on end in sight of Wenger’s dictatorship. All signs point to him staying even beyond the two year contract he has signed until 2019.

Allan Fish Online Film Festival

Cinema, Aspirins and Vultures (2005, Brazil, Marcelo Gomes)

Allan Fish was a pure cinephile who spent countless hours hunting down precious films from all corners of the world. He wrote about many such discoveries at The Fish Obscuro section on Wonders in the Dark. Of the many titles he covered, one that sticks to my mind is the 1964 Brazilian film Noite Vazia by Walter Hugo Khouri. This is a remarkable film whose discovery I owe solely to Allan. The film is unlike any of the other Brazilian films of the Cinema Novo that I have seen and is far from the rugged Brazilian landscapes of Glauber Rocha’s cinema. In fact, Noite Vazia feels closer to the sentiment of Italian director Michelangelo Antonioni.

In order to pay tribute to Allan’s review of Noite Vazia, I opted for Marcelo Gomes’ Cinema, Aspirins and Vultures. This selection brings Brazil, Italy and England together from my perspective. Marcelo Gomes’ thoughtful Brazilian road film reminded me of Italian filmmaker Giuseppe Tornatore. As for the English connection, I discovered this film at the BFI London Film Festival which was the first international film festival I travelled to. The film and the BFI London festival kickstarted my love for global cinema and film festivals, a path that eventually led me to find the Wonders in the Dark website and get to know Sam and Allan.

The road film has a special place in cinema and over the decades we have seen some stellar films all set on the road where the main character takes a journey in their car or a motorcycle. The act of taking the journey on a long road leads to a transformation and a change in the character. Sometimes the character goes looking for change in order to escape from their current life. This aspect certainly applies to Johann (Peter Ketnath) in Marcelo Gomes’ film. Johann is a German who has moved to Brazil to escape the conflict back home. He makes a living by driving across the vast Brazilian countryside selling Aspirin, a new medicine as per the film's setting in 1942. It would have been difficult for Johann to sell aspirin to people used to rejecting change but he comes up with a clever sales tactic of using the alluring cinematic medium to make his sales. This is where Cinema, Aspirins and Vultures has shades of Giuseppe Tornatore’s The Star Maker albeit with a slight variation. In The Star Maker, the salesman is a cheat but in Gomes' film, Johann is not a cheat even though his methods portray him as a mercenary. Along the way, Johann picks up a local (Ranulpho played by João Miguel) who wishes to leave his village life behind and head to Rio. The two become good friends and Ranulpho travels along with Johann by working as his assistant. But then the War that Johann escaped from finds its way to Brazil and Johann has a difficult choice to make – to return to Europe or continue his free spirited way. The movie shows how different people’s idea of freedom varies and what makes one person happy can be torture for another.

One of the most striking aspects of the film is the cinematography. Gomes and cinematographer Mauro Pinheiro Jr. overexposed the 35mm film reels thereby creating a bleached look to the film. Watching the film in a movie theatre conveyed the heat and brutality of the scorching Brazilian countryside. Unfortunately, this striking aspect of the visuals doesn’t come across in the online version of the film as the colours are muted and not as sharp as they were in the cinema. Still, it is a film worth viewing in any manner whatsoever.

Film Link

English Subtitles: The original English subtitles are not present with the film but you can select the Auto-translate subtitles feature by clicking on the Settings Icon. This does mean that the auto-translated English subtitles are not as good as the official released version.

Cross-published on Wonders in the Dark.