To Show or not to Show, that is the film festival question.

A screening of the film The 10 Conditions of Love ran into some problems at the Melbourne film festival: Chinese government officials had demanded that Australia "immediately correct its wrongdoings" by canceling the screening and Ms. Kadeer’s visa. When those requests were ignored, the Chinese government threatened on Friday to sever Melbourne’s sister-city ties with the Chinese city of Tianjin. Seven Chinese-language films from China, Hong Kong and Taiwan were withdrawn, their directors saying the festival had become too politicized. But that was not all. Zhou Yu, a 24-year-old computer programmer from Nanjing, said he hacked into the festival’s Web site and defaced it with a Chinese flag to defend his country’s honor. "The government’s protests were useless," he said by e-mail. "It’s patriotic to use my own skills as a common citizen to fight back." Mr. Zhou said that while he had not seen "The 10 Conditions of Love," he believed the film was factually inaccurate. “This movie distorts history, confuses and poisons people’s minds and impacts national unity,” he said. His actions have drawn widespread praise from many Chinese, although there seems to be little room for divergent views on the matter. On Kaixin, a popular social-networking Web site here, a recent poll asked visitors to weigh in on Mr. Zhou’s actions but gave only two choices: "support" and "super support." Now, this guy had not seen the film but he felt justified in hacking into the festival site. And others who hacked into the site prevented access to all the other films showing at the festival. Clearly, none of those people have any idea into how much work goes into setting up a film festival. Reading this brought back some memories: 

In 2007, the Vancouver Film Festival was programmed to show Hu Jie's film Though I am Gone?. I had initially seen an entry for the film on VIFF's website but when I clicked on the film title, there was no info. I figured it was a typo and there was no such film. My belief was confirmed a few days later when the film disappeared from the festival's website and was not mentioned in the program. But I later learned that the film was indeed shown. Since I had originally seen the film title on the website, I know that the festival made sure there was no trace of the film to be found anywhere later on. Self censorship or induced censorship? or both? 

Getting a film to show at any film festival is never easy. There are many many hours of negotiations and programming that goes into getting a film to show. And even after the film is confirmed, further problems can arise due to prints not arriving on time or technical problems with the projector. I have had to get on stage to explain the technical difficulties with a film and have also refunded money to frustrated audience members due to a faulty projector. Neither was a fun task. But why would hackers care for any of this? So easy to bring a festival website down and ruin hours of volunteer work that people have done? But hey, who watches movies at film festivals anyhow? :) Don't critics debate the merit of film festivals every year? So if the government didn't protest, maybe this film would have shown at the Melbourne festival and disappeared. But now, this is news. Sort of. The bottom line is every film festival is always criticized every year, sometimes for the film it books and sometimes for the film it does not book. But no one dares to shout at a multiplex for continuing to show cinematic trash week in, week out. Hmmm..