Desierto (2015, Mexico/France, Jonás Cuarón)
Signs Preceding the End of the World, written by Yuri Herrera
For the last year, much of the news has been around illegal border crossings. This has not only been about borders in North America but around the world. However, the North American borders have gotten more attention due to the talk of building a wall costing billions of $$$. Buildings walls doesn’t come close to addressing the question for why people illegally cross the border in the first place. If the nations on both sides of the border were equal in every aspect, then there would no need for people to make illegal border crossings. Walls don’t highlight the financial burden people impose on their family to make such an illegal border crossing not to mention the physical and mental hardships associated with such a journey. Each border crossing is a gamble, a throw of the dice not knowing the outcome.
Jonás Cuarón’s Desierto depicts the dangers that come with such an illegal border crossing and what he has shown makes for grim viewing. The film gives ittle to no backstory about each character but it is evident that each person has their own reason for making the dangerous journey. Once the characters cross the border, the characters become prey to a man who drives a truck with a confederation flag. The man doesn’t believe in law and order and considers it his job to protect his nation’s border by killing as many border crossers as possible. The film was released back in 2015 but it is easy to know in real life which candidate this man would have voted for in 2016.
Desierto is a hunter-prey film with little dialogue and its most significant moments come when the camera pulls back to depict the vastness of the border, the vastness of the rugged landscape that is enough to defeat a person without any human intervention. It is in these moments of the border’s visual depiction that the film forms a bridge to the poetic depiction of the border crossing in Mexican author Yuri Herrera’s remarkable book Signs Preceding the End of the World. Herrera’s book is just over a hundred pages and moves at a fast breathless pace. The plot is creative and delightful but the book’s genius is how it abstracts elements related to the border crossing, both to the people making the journey and the objects they carry. In a few words, the book highlights the importance each person has with the objects they take:
“Rucksacks. What do people whose life stops here take with them? Makina could see their rucksacks crammed with time. Amulets, letters, sometimes a huapango violin, sometimes a jaranera harp. Jackets. People who left took jackets because they’d been told that if there was one thing they could be sure of over there, it was the freezing cold, even if it was desert all the way. They hid what little money they had in their underwear and stuck a knife in their back pocket. Photos, photos, photos. They carried photos like promises but by the time they came back they were in tatters.”
Desierto depicts this as well when Gael García Bernal’s character takes a teddy bear with him on his border crossing because it was something given to him by his son.
Signs Preceding the End of the World, written by Yuri Herrera
For the last year, much of the news has been around illegal border crossings. This has not only been about borders in North America but around the world. However, the North American borders have gotten more attention due to the talk of building a wall costing billions of $$$. Buildings walls doesn’t come close to addressing the question for why people illegally cross the border in the first place. If the nations on both sides of the border were equal in every aspect, then there would no need for people to make illegal border crossings. Walls don’t highlight the financial burden people impose on their family to make such an illegal border crossing not to mention the physical and mental hardships associated with such a journey. Each border crossing is a gamble, a throw of the dice not knowing the outcome.
Jonás Cuarón’s Desierto depicts the dangers that come with such an illegal border crossing and what he has shown makes for grim viewing. The film gives ittle to no backstory about each character but it is evident that each person has their own reason for making the dangerous journey. Once the characters cross the border, the characters become prey to a man who drives a truck with a confederation flag. The man doesn’t believe in law and order and considers it his job to protect his nation’s border by killing as many border crossers as possible. The film was released back in 2015 but it is easy to know in real life which candidate this man would have voted for in 2016.
Desierto is a hunter-prey film with little dialogue and its most significant moments come when the camera pulls back to depict the vastness of the border, the vastness of the rugged landscape that is enough to defeat a person without any human intervention. It is in these moments of the border’s visual depiction that the film forms a bridge to the poetic depiction of the border crossing in Mexican author Yuri Herrera’s remarkable book Signs Preceding the End of the World. Herrera’s book is just over a hundred pages and moves at a fast breathless pace. The plot is creative and delightful but the book’s genius is how it abstracts elements related to the border crossing, both to the people making the journey and the objects they carry. In a few words, the book highlights the importance each person has with the objects they take:
“Rucksacks. What do people whose life stops here take with them? Makina could see their rucksacks crammed with time. Amulets, letters, sometimes a huapango violin, sometimes a jaranera harp. Jackets. People who left took jackets because they’d been told that if there was one thing they could be sure of over there, it was the freezing cold, even if it was desert all the way. They hid what little money they had in their underwear and stuck a knife in their back pocket. Photos, photos, photos. They carried photos like promises but by the time they came back they were in tatters.”
Desierto depicts this as well when Gael García Bernal’s character takes a teddy bear with him on his border crossing because it was something given to him by his son.
Herrera’s book also addresses how the border crossers are perceived. The following words are universal and could apply to countless people who make their dangerous journey across the border in search of a better life:
“We are to blame for this destruction, we who don’t speak your tongue and don’t know how to keep quiet either. We who didn’t come by boat, who dirty up your doorsteps with our dust, who break your barbed wire. We who came to take your jobs, who dream of wiping your shit, who long to work all hours. We who fill your shiny clean streets with the smell of food, who brought you violence you’d never known, who deliver your dope, who deserve to be chained by neck and feet. We who are happy to die for you, what else could we do? We, the ones who are waiting for who knows what. We, the dark, the short, the greasy, the shifty, the fat, the anemic. We the barbarians.”
Maybe one day people will figure it out. One day, people might understand why people illegally cross the border and work on a solution that eliminates the need for people to make that journey. This is not only a North American problem, but one that is found all over South America, Africa, Europe and Asia. Any place where one nation is economically better than its neighbour will lead to illegal border crossings.
“We are to blame for this destruction, we who don’t speak your tongue and don’t know how to keep quiet either. We who didn’t come by boat, who dirty up your doorsteps with our dust, who break your barbed wire. We who came to take your jobs, who dream of wiping your shit, who long to work all hours. We who fill your shiny clean streets with the smell of food, who brought you violence you’d never known, who deliver your dope, who deserve to be chained by neck and feet. We who are happy to die for you, what else could we do? We, the ones who are waiting for who knows what. We, the dark, the short, the greasy, the shifty, the fat, the anemic. We the barbarians.”
Maybe one day people will figure it out. One day, people might understand why people illegally cross the border and work on a solution that eliminates the need for people to make that journey. This is not only a North American problem, but one that is found all over South America, Africa, Europe and Asia. Any place where one nation is economically better than its neighbour will lead to illegal border crossings.
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