John Wick: Chapter 3 - Parabellum (2019, Chad Stahelski)
Guns. More guns. Suits. Blood. Mood lighting. Once the bullets are done, knives or any other weapon that can be grabbed by the hand will do. More violence ensues.
This is the world of John Wick 3. A world of assassins following their own unique rules, currency and codes. The characters in the film inhabit our contemporary world yet their lives run in parallel with that of normal humans who aren’t aware that there is a battle going on. The violence and a codified world has shades of Blade and especially The Matrix, solidified due to the presence of both Keanu Reeves and Laurence Fishburne. As fascinating as the film’s world is, the core of the film are the fights. This is where the film goes into video game cinema territory like that of the Raid movies and Resident Evil when after one set of villains is killed, a new level opens up with more deadly opposition. More kills, new level, repeat. The pattern is similar to the previous two films but with more violence and fights.
This pattern, where each successive chapter has to raise the stakes and the fights have to be more elaborate from the previous chapter, is not unique to the John Wick films. Instead, this is the same pattern that drives Hollywood studio sequels and comic book movies where a new sequel means more action, more villains and more noise. Over the last few decades, Hollywood has become a cinematic amusement park where the goal is to come up with thrill rides that outdo the previous year’s versions. So every season, newer versions/upgrades of the same roller-coaster are unveiled promising even bigger thrills. Now, we are even given 3-5 year plans of which new cinematic rides will be released by some studios. The ironic nature of this cycle is that even if an original film is released, it will eventually became part of the same amusement park. If something makes money, then sequels will follow to ensure more money is made. The studio amusement park also now regularly hires directors of critically acclaimed films as well to ensure the assembly line never runs out of new talent.
The first John Wick was refreshing, a stylish upgrade to the action films from the 1980s-90s. Now, two movies later, it has become its own series and one that follows the formula of other studio sequels. There will be a John Wick 4 which will surely guarantee more fights, more violence and more coolness than the previous film.
This is the world of John Wick 3. A world of assassins following their own unique rules, currency and codes. The characters in the film inhabit our contemporary world yet their lives run in parallel with that of normal humans who aren’t aware that there is a battle going on. The violence and a codified world has shades of Blade and especially The Matrix, solidified due to the presence of both Keanu Reeves and Laurence Fishburne. As fascinating as the film’s world is, the core of the film are the fights. This is where the film goes into video game cinema territory like that of the Raid movies and Resident Evil when after one set of villains is killed, a new level opens up with more deadly opposition. More kills, new level, repeat. The pattern is similar to the previous two films but with more violence and fights.
This pattern, where each successive chapter has to raise the stakes and the fights have to be more elaborate from the previous chapter, is not unique to the John Wick films. Instead, this is the same pattern that drives Hollywood studio sequels and comic book movies where a new sequel means more action, more villains and more noise. Over the last few decades, Hollywood has become a cinematic amusement park where the goal is to come up with thrill rides that outdo the previous year’s versions. So every season, newer versions/upgrades of the same roller-coaster are unveiled promising even bigger thrills. Now, we are even given 3-5 year plans of which new cinematic rides will be released by some studios. The ironic nature of this cycle is that even if an original film is released, it will eventually became part of the same amusement park. If something makes money, then sequels will follow to ensure more money is made. The studio amusement park also now regularly hires directors of critically acclaimed films as well to ensure the assembly line never runs out of new talent.
The first John Wick was refreshing, a stylish upgrade to the action films from the 1980s-90s. Now, two movies later, it has become its own series and one that follows the formula of other studio sequels. There will be a John Wick 4 which will surely guarantee more fights, more violence and more coolness than the previous film.
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